"Quin’s paintings roil with the frenetic energy of many lines in motion, each moving with a different weight and at a different speed; the finished compositions hum with the radiant electricity of a neon sign" –Cultured
Hbk, 10 x 12 in. / 100 pgs / 50 color. | 4/9/2024 | In stock $60.00
Published by Pace Publishing. Text by Ariana Reines.
Los Angeles–based artist Lauren Quin (born 1992) approaches the act of painting as a process of ongoing inquiry. Composed from dynamic, intensely chromatic forms, her paintings challenge our understanding of abstraction. Eyelets of Alkaline focuses on Quin’s latest body of work, which represents a turn from an “overdose” of chromatic intensity toward what she describes as a “detox of color” in a palette of tonal blacks and grays. Alongside vivid illustrations and foldout pages, the publication also includes a new text by the poet, playwright and essayist Ariana Reines, described as “one of the crucial voices of her generation” by Michael Silverblatt on NPR’s Bookworm.
Published by Nerman Museum of Contemporary Art. Foreword by JoAnne Northrup. Interview by Sarah Lehrer-Graiwer. Text by Fanny Singer, Juliana Halpert.
The paintings of Los Angeles– and San Francisco–based artist Lauren Quin (born 1992) have mesmerized audiences with their electric colors and pulsating lines. Her compositions contain an intricate language of overlapping shapes (most recently, Légeresque tubes), engendering a dizzying multitude of compositional center points. Each painting features motifs—spider, needle, sun—which she then transfers onto the canvas through a monoprint technique. This is the first comprehensive monograph on Quin, accompanying her solo show at the Nerman Museum of Contemporary Art. Featuring a foreword by Nerman director JoAnne Northrup, essays by art historian Fanny Singer and artist and writer Juliana Halpert, and an interview with the artist by curator Sarah Lehrer-Graiwer, My Hellmouth also provides insight into Quin's artistic process.