Korean artist Ha Chong-hyun (born 1935) has had a deep and enduring relationship with Japan, from his early years in Kansai to his first solo exhibition in Tokyo, introduced by his longstanding colleague Lee Ufan. His engagement with the Japanese avant-garde—particularly Mono-ha—shaped his early practice before he transitioned into the monochrome paintings that defined his role in Dansaekhwa. Featuring new essays alongside critical writings from past exhibition catalogs, this volume examines Ha's exhibitions at Muramatsu, Kamakura and other key Japanese galleries, as well as his lasting friendships with figures such as Lee and Nobuo Sekine. Archival materials, rare photographs and . . . .go to book page >>

Documenting Yoshitomo Nara's 2025 exhibition at BLUM Los Angeles, My Imperfect Self traces the artist's turn toward bronze sculpture and the poetic potential of imperfection. Including a newly commissioned essay by art historian Yeewan Koon, this book brings together recent works, preparatory drawings and playful photographs of children, dogs and elders—figures that reflect Nara's ongoing curiosity about innocence, experience and emotional depth. It also features 11 mid-size head sculptures exuding a quirky strangeness and dark charm that defines the artist's work. Although cast in bronze, they were first made in clay as palm size pieces. In their transformed state, the . . . .go to book page >>