MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the “greater” aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.
Published by The Power Plant. Text by Darby English, Wayne Baerwaldt, Huey Copeland, Mark Nash, Wayne Koestenbaum. Interview by Stephen Andrews.
Glenn Ligon is one of the preeminent members of a generation of American artists who came to prominence in the late 1980s with conceptually-based paintings, photographs and text-oriented works concerning the social, linguistic and political constructions of race, gender and sexuality. Incorporating sources as diverse as photographic scrapbooks and Richard Pryor's stand-up comedy routines--his lush coal-dust paintings of excerpts from James Baldwin's 1955 essay "Stranger in the Village," for instance--Ligon's art is a meditation on representation of the self in relation to culture and history. Handsomely designed with a hardcover slipcase, Some Changes is the artist's first significant monograph. Well-illustrated texts by critics and curators Wayne Baerwaldt, Huey Copeland, Darby English, Wayne Koestenbaum and Mark Nash survey Ligon's works from 1982 to 2005, and a candid interview with Toronto artist Stephen Andrews delves into Ligon's personal insights and professional experiences.
PUBLISHER The Power Plant
BOOK FORMAT Slip, Hardcover, 8.75 x 10.75 in. / 200 pgs / 35 color / 20 bw.
PUBLISHING STATUS Pub Date 7/31/2009 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2009 p. 81
PRODUCT DETAILS ISBN 9781894212069TRADE List Price: $40.00 CDN $50.00
Published by Institute of Contemporary Art, University of Pennsylvania. Artwork by Glenn Ligon. Contributions by Thelma Golden, Patrick Murphy, Richard Meyer.
The theme of autobiography in Ligon's work is examined in light of a comprehensive study of his body of work. Ligon's sophisticated expressions of the issues of race and gay desire emerge clearly and lucidly.
Throughout his career, the artist Glenn Ligon (b. 1960) has been deeply engaged with the written word: his artworks are full of painted, drawn, sculpted, photographed, and printed text. In recent years, Ligon has also emerged as a prolific writer. His articles and critical essays have appeared in exhibition catalogues and leading art magazines and range from trenchant reviews to introspective musings on his own art and life experience. Edited by Scott Rothkopf, who provides an introduction to Ligon's written corpus, this impressive volume begins with the artist's first major essay, a superbly crafted text written in 2004 about the artist David Hammons and his relationship to a younger generation of black artists. In all, ten essays and twelve interviews are included, all of which demonstrate Ligon's straightforward exposition, ironic asides, knowing pop references, literary citations, and clever turns of phrase. This volume will be an indispensible reader to all those interested in contemporary art and culture.
PUBLISHING STATUS Pub Date -- Active
DISTRIBUTION Contact Publisher
PRODUCT DETAILS ISBN 9780300169096RETAIL List Price: $24.95 CDN $24.95
AVAILABILITY OUT OF STOCK
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
In this artist project, Glenn Ligon traces the representation of black people in the United States on book covers, highlighting the deliberate use of typography, photography and graphics. Best known for appropriating imagery and text from popular culture, Ligon has selected over 50 book covers – by both lesser-known and seminal authors such as James Baldwin, Norman Mailer, Toni Morrison – to explore a rich and complex set of histories and representations. Spanning the twentieth century and grouped thematically, the covers reveal correspondences between the past and the present, as well as links between the social and visual constructs of race, beauty and the body. To introduce the book, an essay by Ligon identifies one of the foundation stones of his life and work: the act of reading.
American artist Glenn Ligon’s latest monumental screen-printed paintings draw upon Minimalist composer Steve Reich’s taped-speech work Come Out. Ligon’s series recontextualises the phrase ‘Come out to show them’ from the testimony of one of the badly beaten Harlem Six, which Reich isolated for his 1966 work. Whilst Reich repeats the refrain on two channels that gradually become out of sync, Ligon continually superimposes the words onto the canvas to form densely layered landscapes of text. Echoing Reich's music, the artist increases the number of silkscreen layers in each painting until the words verge on abstraction. Bringing together illustrations of new studies and paintings originally exhibited at Thomas Dane Gallery, London, an essay by Megan Ratner examines the relationship between the paintings, the phrase and history.