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Clth, 11.13 x 12.34 in. / 48 pgs / 25 color. PUBLISHING STATUS
Pub Date 10/1/2014
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ISBN 9781905464999 TRADE
List Price: $22.00 CDN $29.95 AVAILABILITY
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| | | Glenn Ligon: Come OutText by Megan Ratner.
American artist Glenn Ligon’s latest monumental screen-printed paintings draw upon Minimalist composer Steve Reich’s taped-speech work Come Out.
Ligon’s series recontextualises the phrase ‘Come out to show them’ from the testimony of one of the badly beaten Harlem Six, which Reich isolated for his 1966 work. Whilst Reich repeats the refrain on two channels that gradually become out of sync, Ligon continually superimposes the words onto the canvas to form densely layered landscapes of text. Echoing Reich's music, the artist increases the number of silkscreen layers in each painting until the words verge on abstraction.
Bringing together illustrations of new studies and paintings originally exhibited at Thomas Dane Gallery, London, an essay by Megan Ratner examines the relationship between the paintings, the phrase and history.
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| | | | |  | Text by Glenn Ligon.RIDINGHOUSEISBN: 9781909932067
USD $25.00 | CAN $34.95Pub Date: 3/1/2015
Active | In stock
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|  | Text by Helen Molesworth. Poems by Robin Coste Lewis. Interview with Glenn Ligon, Hamza Walker.REGEN PROJECTSISBN: 9783791300009
USD $45.00 | CAN $63 UK £ 40Pub Date: 1/28/2020
Active | In stock
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|  | YALE/WHITNEYISBN: 9780300169096
USD $24.95 | CAN $24.95Pub Date: --
Active | OUT OF STOCK
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FORMAT: Clth, 11.13 x 12.34 in. / 48 pgs / 25 color.
LIST PRICE: U.S. $22.00
LIST PRICE: CANADA $29.95
ISBN: 9781905464999
PUBLISHER: Ridinghouse
AVAILABLE: 10/1/2014
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
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| Glenn Ligon: Come Out Published by Ridinghouse.
Text by Megan Ratner. | American artist Glenn Ligon’s latest monumental screen-printed paintings draw upon Minimalist composer Steve Reich’s taped-speech work Come Out.
Ligon’s series recontextualises the phrase ‘Come out to show them’ from the testimony of one of the badly beaten Harlem Six, which Reich isolated for his 1966 work. Whilst Reich repeats the refrain on two channels that gradually become out of sync, Ligon continually superimposes the words onto the canvas to form densely layered landscapes of text. Echoing Reich's music, the artist increases the number of silkscreen layers in each painting until the words verge on abstraction.
Bringing together illustrations of new studies and paintings originally exhibited at Thomas Dane Gallery, London, an essay by Megan Ratner examines the relationship between the paintings, the phrase and history.
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