Notes from the Playground is a carefully selected anthology of thirty essays by the curator, academic and writer, Richard Flood.
This new collection of his written work from over the past 40 years reveals an original and rigorous connection to the world of ideas and beauty and the critical and aesthetic experience of our present times. Drawing from his broad knowledge of history, cinema, literature, poetry, design and architecture, Flood’s writings combine the autobiographical with the theoretical, presenting an intimate understanding of renowned contemporary artists.
Throughout many of the essays, Flood draws on personal correspondence between himself and the artist, including an annotated conversation with Paul Thek discussing his fabricated works of wax ‘raw meat’ facsimiles embedded in luxurious Plexiglas cases; four interviews with Robert Gober during the 1990s, offering vivid accounts of his sculptural and creative process; and a detailed description of a portrait sitting at Michael Landy’s studio. Flood’s significant essay on Arte Povera, co-authored with Frances Morris, is also reproduced, providing evidence of his ability to write in multiple ways.
Published by Swiss Institute/Agnès b.. Text by Richard Flood, Antoine Catala, Gianni Jetzer, Piper Marshall, Cameron Shaw.
Separately renowned in their respective mediums of film and painting, Harmony Korine and Rita Ackermann meet in their mutual affection for unorthodox, mischievous beauty, and more specifically in the creation of psychologically jarring figures amplified through fragmented narratives. Shadowfux documents the artists' first collaboration. Taking Korine's recent film Trash Humpers (2009) as its point of departure, it features large-scale works in which Ackermann and Korine have collaged, painted and drawn over stills of the film's beguiling young bodies with old faces. Generated through a call-and-response method, Shadowfux illustrates the importance of cutting to both artists' works. Additionally, it presents short texts by Korine, as well as previously unpublished deleted scenes from Trash Humpers. Accompanying the artists' works are short illustrative texts by exhibition curator Gianni Jetzer, curators Richard Flood and Piper Marshall, and critics Antoine Catala and Cameron Shaw.
PUBLISHER Swiss Institute/Agnès b.
BOOK FORMAT Clth, 8.5 x 11.5 in. / 124 pgs / 29 color / 34 bw.
PUBLISHING STATUS Pub Date 3/31/2012 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2011 p. 82
PRODUCT DETAILS ISBN 9781884692093TRADE List Price: $39.95 CDN $50.00
Published by Fondazione Merz. Text by Olga Gambari, Luca Morena, Rebecca Walker, Melissa Harris-Perry. Conversation with Richard Flood.
A Negress of Noteworthy Talent documents a multimedia project developed by Kara Walker (born 1969) in Turin: her 2011 solo exhibition at the Fondazione Merz, a workshop for students from the Art Academy and University of Turin, an international conference on the politics and psychology of race stereotypes. The result is a defiantly unresolved exploration of the myth and memory of the African-American experience, an experience not fully collective or personal, but something uncomfortably in between, unfolding in a sinister and humorous shadowland of grotesque silhouettes and puppets. Walker’s Turin project further explores the drama of race that is as much a drama of the unconscious as it is about skin.
PUBLISHER Fondazione Merz
BOOK FORMAT Hardcover, 6 x 8.5 in. / 212 pgs / 80 color / 30 bw.
PUBLISHING STATUS Pub Date 8/31/2012 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2012 p. 100
PRODUCT DETAILS ISBN 9788877572516TRADE List Price: $45.00 CDN $55.00
Published by Editora Cobogó. Text by Richard Flood, Paulo Herkenhoff, Lars Bang Larsen, Yasmil Raymond, Racheal Thomas.
Brazilian artist Rivane Neuenschwander (born 1967) joyously embraces all genres from painting and sculpture to film and photography, installation and collaborative actions. Whether gathering anonymously created objects from bars and restaurants, or installing continually dripping buckets in a forest, her art is ultimately about being alive and responsive. Some of Neuenschwander's best-known works are collaborations with the public: "I Wish Your Wish" enables visitors to select from hundreds of wishes those they hope will come true, in exchange leaving new wishes behind; in "First Love," visitors are invited to describe the face of their first love to a forensic artist. A Day Like Any Other is the artist's first full-length monograph.
PUBLISHER Editora Cobogó
BOOK FORMAT Paperback, 8.5 x 11 in. / 244 pgs / 210 color.
PUBLISHING STATUS Pub Date 3/31/2011 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2011 p. 85
PRODUCT DETAILS ISBN 9780915557936TRADE List Price: $49.95 CDN $60.00
Published by Fondazione Merz/ hopefulmonster Editore. Edited by Olga Gambari. Text by Alberto Barbera, Guido Curto, Olga Gambari, Beatrice Merz. Interview by Arthur C. Danto, Richard Flood.
New York Times critic Michael Kimmelman has called Matthew Barney "the most important American artist of his generation." Most known for his epic film series Cremaster Cycle (1994-2002) and Drawing Restraint (2005), a feature film made with his partner, Björk, Barney's technically and conceptually fastidious work conflates various personal and universal mythologies into narratives that are famously difficult to unravel. This volume compiles work from Barney's solo exhibitions at Turin's Fondazione Merz and National Museum of Cinema, as well as coverage of the International Festival of Philosophy of Contemporary Art, a collaboration between the Fondazione Merz and the University of Turin for which Barney was featured in conversation with Richard Flood and Arthur C. Danto.
PUBLISHER Fondazione Merz/ hopefulmonster Editore
BOOK FORMAT Hardcover, 6 x 8.5 in. / 200 pgs / 50 color.
PUBLISHING STATUS Pub Date 9/30/2009 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2009 p. 78
PRODUCT DETAILS ISBN 9788877572356TRADE List Price: $45.00 CDN $60.00
AVAILABILITY Out of stock
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
Published by Carnegie Museum Of Art. Edited by Douglas Fogle. Text by Daniel Birnbaum, Richard Flood, Eungie Joo, Chus Martínez.
Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own worlds? Conceived around the title Life on Mars, the 2008 Carnegie International, curated by Douglas Fogle, explores the increasingly relevant yet perplexing proposition of what it means to be human in the world today. The question, "Is there life on Mars?" is a rhetorical one, posing a metaphorical quest to explore humanity's response to a world where global events challenge and seem to threaten our everyday existence. Working in a range of media, from micro to macro levels of experience, from tragedy to comedy, the 40 artists from 17 countries in the exhibition explore the alien inside each of us. They include Doug Aitken, Kai Althoff, Vija Celmins, Bruce Conner, Peter Fischli and David Weiss, Daniel Guzmán, Mike Kelley, Barry McGee, Wilhelm Sasnal, David Shrigley, Rudolf Stingel, Paul Thek, Wolfgang Tillmans and Andro Wekua, among others. In questioning the absurdity of our lives while demonstrating hopeful aspirations for the future of humankind, these artists foreground the poetic over the monumental and the intimate over the heroic. In the end, the exhibition asks if we ourselves are already on Mars.
Published by New Museum of Contemporary Art. Foreword by Lisa Phillips. Text by Abraham Cruzvillegas, Guillermo Fadanelli, Richard Flood, Jim Lewis.
Double Album brings together two artists--Daniel Guzmán, born in 1964 in Mexico, and Steven Shearer, born in 1968 in Canada--who use an array of visual mediums to explore the overwhelmingly male world of rock 'n' roll and other popular subcultures. Looking at Guzmán and Shearer's work, one immediately sees a parallel adoption of 1970s and 1980s pop icons and bands as individual surrogates and avatars of two divergent oeuvres that each act as extended self-portraits. This beautifully produced and lavishly illustrated volume, with separate covers and sections dedicated to each artist, includes texts by New Museum Chief Curator Richard Flood, Jim Lewis and Gullermo Fadanelli and interviews with Guzmán and Shearer by Abraham Cruzvillegas and Flood, respectively.
PUBLISHER New Museum of Contemporary Art
BOOK FORMAT Hardback, 6.5 x 9 in. / 224 pgs / 78 color / 20 bw.
PUBLISHING STATUS Pub Date 6/1/2008 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2008 p. 130
PRODUCT DETAILS ISBN 9780915557912TRADE List Price: $49.95 CDN $60.00
Published by Walker Art Center. Essays by Francesco Bonami, Giorgia Bottinelli, Germano Celant, Carolyn Christov-Bakargiev, Corinna Criticos, Judith Kirshner, Robert Lumley, Karen Pinkus. Artists include Giovanni Anselmo, Alighiero e Boetti, Giorgia Bottinelli, Pier Paolo Calzolari, Lu
Zero to Infinity: Arte Povera, 1962-1972 focuses on one of the most innovative and influential art movements of the postwar era. Arte Povera came of age in the context of the ''Italian miracle'' economic boom and the subsequent student and workers revolts of 1968, motivated by an urge to revolt not only against the primacy of painting in the postwar period, but also against the emerging consumer culture. This exhibition and its accompanying catalogue provide a highly comprehensive retrospective of the Arte Povera movement as a historical and aesthetic phenomenon that crossed a wide range of disciplines, including sculpture, installation, drawing, photography, film and performance. The exhibition traces Arte Povera's genesis within the artistic and political context of Italy to its positioning within the broader international context of postwar artistic practices, a moment marked by the participation of the Arte Povera group in the 1972 Documenta V exhibition in Kassel. This essential new catalogue is designed by the Walker Art Center's award-winning design department, and includes a wide range of essays by international scholars and curators, as well as rare historical documentation, in an unprecedented re-examination of the Arte Povera movement.