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| | | | Richard Flood: Notes From The Playground
Notes from the Playground is a carefully selected anthology of thirty essays by the curator, academic and writer, Richard Flood.
This new collection of his written work from over the past 40 years reveals an original and rigorous connection to the world of ideas and beauty and the critical and aesthetic experience of our present times. Drawing from his broad knowledge of history, cinema, literature, poetry, design and architecture, Flood’s writings combine the autobiographical with the theoretical, presenting an intimate understanding of renowned contemporary artists.
Throughout many of the essays, Flood draws on personal correspondence between himself and the artist, including an annotated conversation with Paul Thek discussing his fabricated works of wax ‘raw meat’ facsimiles embedded in luxurious Plexiglas cases; four interviews with Robert Gober during the 1990s, offering vivid accounts of his sculptural and creative process; and a detailed description of a portrait sitting at Michael Landy’s studio. Flood’s significant essay on Arte Povera, co-authored with Frances Morris, is also reproduced, providing evidence of his ability to write in multiple ways.
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FORMAT: Pbk, 6.03 x 8.63 in. / 333 pgs.
LIST PRICE: U.S. $29.95
LIST PRICE: CANADA $45
ISBN: 9781909932395
PUBLISHER: Ridinghouse
AVAILABLE: 11/1/2017
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Richard Flood: Notes From The Playground Published by Ridinghouse. Notes from the Playground is a carefully selected anthology of thirty essays by the curator, academic and writer, Richard Flood.
This new collection of his written work from over the past 40 years reveals an original and rigorous connection to the world of ideas and beauty and the critical and aesthetic experience of our present times. Drawing from his broad knowledge of history, cinema, literature, poetry, design and architecture, Flood’s writings combine the autobiographical with the theoretical, presenting an intimate understanding of renowned contemporary artists.
Throughout many of the essays, Flood draws on personal correspondence between himself and the artist, including an annotated conversation with Paul Thek discussing his fabricated works of wax ‘raw meat’ facsimiles embedded in luxurious Plexiglas cases; four interviews with Robert Gober during the 1990s, offering vivid accounts of his sculptural and creative process; and a detailed description of a portrait sitting at Michael Landy’s studio. Flood’s significant essay on Arte Povera, co-authored with Frances Morris, is also reproduced, providing evidence of his ability to write in multiple ways.
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