Preface by Valerie Timmermans. Foreword by François Prost.
Discover a new kind of American landscape through Prost’s road trip photos documenting strip club facades across the South
In 2019, French photographer François Prost (born 1980) road tripped across the American South. Instead of visiting national parks or exploring major cities, he sought out strip clubs in Florida, Alabama, Mississippi, Louisiana, Texas, Arizona, Nevada and California, snapping photographs of their exteriors in the stark light of day. Comprising 200 images taken at a medium distance, Gentlemen’s Club highlights the austere geometry of American roadside architecture. Tucked away in strip malls or standing brazenly alone before an on-ramp to an interstate, the strip clubs are embedded within the country’s infrastructure across urban, suburban and rural zones. Previously, Prost had photographed nightclub facades across France and found that many of the venues drew their stylistic references from postwar American pop culture. So, the photographer deemed it natural to turn to the United States for the next installment of his long-form project.
STATUS: Forthcoming | 7/14/2026
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Published by Flashlight Publishing. Preface by Valerie Timmermans. Foreword by François Prost.
Discover a new kind of American landscape through Prost’s road trip photos documenting strip club facades across the South
In 2019, French photographer François Prost (born 1980) road tripped across the American South. Instead of visiting national parks or exploring major cities, he sought out strip clubs in Florida, Alabama, Mississippi, Louisiana, Texas, Arizona, Nevada and California, snapping photographs of their exteriors in the stark light of day. Comprising 200 images taken at a medium distance, Gentlemen’s Club highlights the austere geometry of American roadside architecture. Tucked away in strip malls or standing brazenly alone before an on-ramp to an interstate, the strip clubs are embedded within the country’s infrastructure across urban, suburban and rural zones. Previously, Prost had photographed nightclub facades across France and found that many of the venues drew their stylistic references from postwar American pop culture. So, the photographer deemed it natural to turn to the United States for the next installment of his long-form project.
