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Flexi, 6.75 x 9.5 in. / 482 pgs / 1,300 color / 100 bw. PUBLISHING STATUS
Pub Date 5/22/2018
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Catalog: SPRING 2018 p. 164 PRODUCT DETAILS
ISBN 9789492095176 TRADE
List Price: $49.95 CDN $67.50 AVAILABILITY
In stock | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Hard Werken: One for AllGraphic Art & Design 1979–1994Edited with text by Ian Horton, Bettina Furnée. Text by Russ Bestley, Max Bruinsma, Tony Credland, Frits Gierstberg, Noor Mertens.
Hard Werken: One for All is the first major publication on the work of the Rotterdam and Los Angeles–based experimental design group Hard Werken. Hard Werken formed in the late 1970s with an underground magazine of the same name (soon to be a collector’s item), and attracted fame in the 1980s as the riotous vanguard of Dutch design. Hard Werken finally folded in 1994 after a shotgun wedding to a Dutch packaging company. Hard Werken’s anarchic aesthetic, which disregarded typographic conventions, characterized the group as a brash, elusive and distinctly Rotterdam phenomenon. This chunky book investigates Hard Werken’s legacy in Holland, LA and the UK, and addresses their contemporary significance, from the innovative ways that the group combined graphic and fine-art languages to their navigation of newly emerging cultural and commercial spheres.
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FORMAT: Flexi, 6.75 x 9.5 in. / 482 pgs / 1,300 color / 100 b&w.
LIST PRICE: U.S. $49.95
LIST PRICE: CANADA $67.5
ISBN: 9789492095176
PUBLISHER: Valiz
AVAILABLE: 5/22/2018
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
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| Hard Werken: One for All
Graphic Art & Design 1979–1994 Published by Valiz.
Edited with text by Ian Horton, Bettina Furnée. Text by Russ Bestley, Max Bruinsma, Tony Credland, Frits Gierstberg, Noor Mertens. | Hard Werken: One for All is the first major publication on the work of the Rotterdam and Los Angeles–based experimental design group Hard Werken. Hard Werken formed in the late 1970s with an underground magazine of the same name (soon to be a collector’s item), and attracted fame in the 1980s as the riotous vanguard of Dutch design. Hard Werken finally folded in 1994 after a shotgun wedding to a Dutch packaging company. Hard Werken’s anarchic aesthetic, which disregarded typographic conventions, characterized the group as a brash, elusive and distinctly Rotterdam phenomenon. This chunky book investigates Hard Werken’s legacy in Holland, LA and the UK, and addresses their contemporary significance, from the innovative ways that the group combined graphic and fine-art languages to their navigation of newly emerging cultural and commercial spheres.
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