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Charta/Isabella Stewart Gardner MuseumBOOK FORMAT
Hardback, 6.5 x 9.5 in. / 76 pgs / 35 color . PUBLISHING STATUS
Pub Date 1/1/2008
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Catalog: SPRING 2008 p. 176 PRODUCT DETAILS
ISBN 9788881586547 TRADE
List Price: $34.95 CDN $40.00 AVAILABILITY
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| | | CHARTA/ISABELLA STEWART GARDNER MUSEUMStefano Arienti: The Asian ShoreText by Pieranna Cavalchini, Pietro C. Marani, Alan Chong.
With an inexhaustible toolbox of techniques, a devotion to drawing--using commercially printed papers, tracing photographic images, making photocopy transfers, folding, cutting, sewing, drilling, applying silicone, acrylic or spray paint--and an almost-Surrealist knack for collage and uncanny combinations, the Milan-based artist Stefano Arienti has long been in search of new ways to make a mark while experimenting with free-form narrative. Especially suited to book form, the works collected here are juxtaposed lyrically, with lines from one page seemingly disappearing into the book’s gutter and reemerging in a new form on the next. This well-considered volume combines earlier work alongside more recent drawings inspired by the archives of the Isabella Stewart Gardner Museum in Boston, where Arienti made good use of the Oriental collection.
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FORMAT: Hardback, 6.5 x 9.5 in. / 76 pgs / 35 color .
LIST PRICE: U.S. $34.95
LIST PRICE: CANADA $40
ISBN: 9788881586547
PUBLISHER: Charta/Isabella Stewart Gardner Museum
AVAILABLE: 1/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
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| Stefano Arienti: The Asian Shore Published by Charta/Isabella Stewart Gardner Museum.
Text by Pieranna Cavalchini, Pietro C. Marani, Alan Chong. | With an inexhaustible toolbox of techniques, a devotion to drawing--using commercially printed papers, tracing photographic images, making photocopy transfers, folding, cutting, sewing, drilling, applying silicone, acrylic or spray paint--and an almost-Surrealist knack for collage and uncanny combinations, the Milan-based artist Stefano Arienti has long been in search of new ways to make a mark while experimenting with free-form narrative. Especially suited to book form, the works collected here are juxtaposed lyrically, with lines from one page seemingly disappearing into the book’s gutter and reemerging in a new form on the next. This well-considered volume combines earlier work alongside more recent drawings inspired by the archives of the Isabella Stewart Gardner Museum in Boston, where Arienti made good use of the Oriental collection.
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