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| | | Coppi Barbieri: Early Works 1992–1997Foreword by Paolo Roversi.
 London-based photography duo Coppi Barbieri—established by Lucilla Barbieri and Fabrizio Coppi in 1991—have crafted meticulous still life photographs for such clients as Apple, Cartier, Chanel, Fendi, Gucci and Louis Vuitton, Van Cleef & Arpels. This book focuses on the duo’s early noncommercial work. Their first experiments involved images of flowers immersed in water, common household objects such as plastic bottles and glassware, and backlit dresses animated by fans. Their inspiration was the work of historical photographers such as André Kertész, Baron Adolph de Meyer and Josef Sudek, and the painter Giorgio Morandi—but they also injected the sensibility of fashion photographers working at that time, such as Paolo Roversi and Javier Vallhonrat. Their slow process involved using 5x7 film, which lends the pictures in this book a unique otherworldliness.
Featured image is reproduced from 'Coppi Barbieri: Early Works 1992–1997.' |
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FORMAT: Clth, 11 x 14 in. / 192 pgs / 82 color.
LIST PRICE: U.S. $69.00
LIST PRICE: CANADA $95
ISBN: 9788862086370
PUBLISHER: Damiani
AVAILABLE: 5/21/2019
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RETAILER DISC: TRADE
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TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2019 Page 161 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Coppi Barbieri: Early Works 1992–1997 Published by Damiani.
Foreword by Paolo Roversi. | London-based photography duo Coppi Barbieri—established by Lucilla Barbieri and Fabrizio Coppi in 1991—have crafted meticulous still life photographs for such clients as Apple, Cartier, Chanel, Fendi, Gucci and Louis Vuitton, Van Cleef & Arpels. This book focuses on the duo’s early noncommercial work. Their first experiments involved images of flowers immersed in water, common household objects such as plastic bottles and glassware, and backlit dresses animated by fans. Their inspiration was the work of historical photographers such as André Kertész, Baron Adolph de Meyer and Josef Sudek, and the painter Giorgio Morandi—but they also injected the sensibility of fashion photographers working at that time, such as Paolo Roversi and Javier Vallhonrat. Their slow process involved using 5x7 film, which lends the pictures in this book a unique otherworldliness.
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