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| |   |   | Coppi Barbieri: Early Works 1992–1997Foreword by Paolo Roversi.
 The early noncommercial work of photography duo Coppi Barbieri, famed for their meticulous still life aestheticLondon-based photography duo Coppi Barbieri—established by Lucilla Barbieri and Fabrizio Coppi in 1991—have crafted meticulous still life photographs for such clients as Apple, Cartier, Chanel, Fendi, Gucci and Louis Vuitton, Van Cleef & Arpels. This book focuses on the duo’s early noncommercial work. Their first experiments involved images of flowers immersed in water, common household objects such as plastic bottles and glassware, and backlit dresses animated by fans. Their inspiration was the work of historical photographers such as André Kertész, Baron Adolph de Meyer and Josef Sudek, and the painter Giorgio Morandi—but they also injected the sensibility of fashion photographers working at that time, such as Paolo Roversi and Javier Vallhonrat. Their slow process involved using 5x7 film, which lends the pictures in this book a unique otherworldliness.
Featured image is reproduced from 'Coppi Barbieri: Early Works 1992–1997.' |
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FORMAT: Clth, 11 x 14 in. / 192 pgs / 82 color. LIST PRICE: U.S. $69.00 LIST PRICE: CANADA $95 ISBN: 9788862086370 PUBLISHER: Damiani AVAILABLE: 5/21/2019 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2019 Page 161 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Coppi Barbieri: Early Works 1992–1997 Published by Damiani. Foreword by Paolo Roversi. The early noncommercial work of photography duo Coppi Barbieri, famed for their meticulous still life aesthetic London-based photography duo Coppi Barbieri—established by Lucilla Barbieri and Fabrizio Coppi in 1991—have crafted meticulous still life photographs for such clients as Apple, Cartier, Chanel, Fendi, Gucci and Louis Vuitton, Van Cleef & Arpels. This book focuses on the duo’s early noncommercial work. Their first experiments involved images of flowers immersed in water, common household objects such as plastic bottles and glassware, and backlit dresses animated by fans. Their inspiration was the work of historical photographers such as André Kertész, Baron Adolph de Meyer and Josef Sudek, and the painter Giorgio Morandi—but they also injected the sensibility of fashion photographers working at that time, such as Paolo Roversi and Javier Vallhonrat. Their slow process involved using 5x7 film, which lends the pictures in this book a unique otherworldliness.
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