Over the course of her two-decade career, the Italian-born, Alaska-based multimedia artist Paola Pivi (born 1971) has fashioned such unlikely objects as a mausoleum made of cookies and a rotating airplane. Many of her sculptures and photographs are comical, as in her pictures of miniaturized designer chairs attached to bare buttocks, or a leopard walking across rows of cappuccino cups. Animals are a recurrent presence throughout, whether taxidermied and rendered sculptural or alive and photographed in unlikely locales (e.g. her tender portrait of two zebras, their heads hooked around each other’s necks, against a backdrop of mountain snow). This volume is published for Pivi’s 2013 exhibition at the Galerie Perrotin in Paris, and gathers a selection of her work from the past ten years.
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
Distributed by D.A.P.
FORMAT: Hbk, 8.25 x 10.5 in. / 192 pgs / illustrated throughout. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $60 ISBN: 9788862083195 PUBLISHER: Damiani/Perrotin AVAILABLE: 10/31/2013 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA
Published by Damiani/Perrotin. Text by Massimilano Gioni, Jens Hoffmann.
Over the course of her two-decade career, the Italian-born, Alaska-based multimedia artist Paola Pivi (born 1971) has fashioned such unlikely objects as a mausoleum made of cookies and a rotating airplane. Many of her sculptures and photographs are comical, as in her pictures of miniaturized designer chairs attached to bare buttocks, or a leopard walking across rows of cappuccino cups. Animals are a recurrent presence throughout, whether taxidermied and rendered sculptural or alive and photographed in unlikely locales (e.g. her tender portrait of two zebras, their heads hooked around each other’s necks, against a backdrop of mountain snow). This volume is published for Pivi’s 2013 exhibition at the Galerie Perrotin in Paris, and gathers a selection of her work from the past ten years.
