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| | | | Rachel Harrison: Fake TitelEdited by Susanne Figner, Martin Germann. Foreword by Veit Görner, Philippe Van Cauteren. Text by Diederich Diederichsen, Susanne Figner, Alex Kitnick.
Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the large-scale installation Incidents of Travel in Yucatan (2011) and the photographic suite Sunset Series (2000–2012). The Help examines the roles of the artist, the muse and the "help," mixing found objects with abstract forms; Incidents of Travel in Yucatan is a mixed-media installation including a wall of pedestals, autonomous sculptures and video; and the Sunset Series comprises 31 photographs of a single source image, a photograph of a sunset. In each photograph in the series, shot on 35mm film, the artist physically manipulates the found snapshot to create a new image.
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|  | WALTHER KöNIG, KöLNISBN: 9783863353780
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FORMAT: Pbk, 9 x 11.5 in. / 184 pgs / 240 color.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $72.5
ISBN: 9783863353780
PUBLISHER: Walther König, Köln
AVAILABLE: 10/31/2013
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
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| Rachel Harrison: Fake Titel Published by Walther König, Köln.
Edited by Susanne Figner, Martin Germann. Foreword by Veit Görner, Philippe Van Cauteren. Text by Diederich Diederichsen, Susanne Figner, Alex Kitnick. Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the large-scale installation Incidents of Travel in Yucatan (2011) and the photographic suite Sunset Series (2000–2012). The Help examines the roles of the artist, the muse and the "help," mixing found objects with abstract forms; Incidents of Travel in Yucatan is a mixed-media installation including a wall of pedestals, autonomous sculptures and video; and the Sunset Series comprises 31 photographs of a single source image, a photograph of a sunset. In each photograph in the series, shot on 35mm film, the artist physically manipulates the found snapshot to create a new image.
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