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MONDADORI ELECTA
Carlo Mollino: Arabesques
Text by Lisa Ponti, Carmen Guererro, Fulvio Ferrari
Arabesques is a celebration of the life and achievements of Carlo Mollino (1905-1973)--architect, designer, author and photographer, and one of Italy's most extraordinary cultural innovators. In a 100 color and 80 black and white illustrations, and with commentary by an array of contemporary Mollino scholars, it examines his famously elegant furniture designs, a selection of his most iconic buildings, his wonderfully futuristic aeroplane and automobile designs and a portfolio of his photographic portraits of women. It reveals a man almost impossible to grasp in his entirety, with a ravenous intellect and a temperament both friendly and proud, whose work requires the attentions of several scholars--among them Lisa Ponti, Carmen Guererro and Fulvio Ferrari--to assess here. Yet Mollino's approach was itself often synthetic; his interiors (which were almost always commissioned) integrated his furniture, interior design and architecture towards a unified aesthetic environment, expressing a coherent aesthetic of elegance and energetic sinuousness. Arabesques makes sense of this rare instance of a true Renaissance man, and will sweep the reader up in Mollino's infectious energy and polymorphous genius.
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FORMAT: Pbk, 9.5 x 11.75 in. / 288 pgs / 100 color / 80 b&w. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $70 ISBN: 9788837048570 PUBLISHER: Mondadori Electa AVAILABLE: 8/31/2009 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available
Published by Mondadori Electa. Text by Lisa Ponti, Carmen Guererro, Fulvio Ferrari
Arabesques is a celebration of the life and achievements of Carlo Mollino (1905-1973)--architect, designer, author and photographer, and one of Italy's most extraordinary cultural innovators. In a 100 color and 80 black and white illustrations, and with commentary by an array of contemporary Mollino scholars, it examines his famously elegant furniture designs, a selection of his most iconic buildings, his wonderfully futuristic aeroplane and automobile designs and a portfolio of his photographic portraits of women. It reveals a man almost impossible to grasp in his entirety, with a ravenous intellect and a temperament both friendly and proud, whose work requires the attentions of several scholars--among them Lisa Ponti, Carmen Guererro and Fulvio Ferrari--to assess here. Yet Mollino's approach was itself often synthetic; his interiors (which were almost always commissioned) integrated his furniture, interior design and architecture towards a unified aesthetic environment, expressing a coherent aesthetic of elegance and energetic sinuousness. Arabesques makes sense of this rare instance of a true Renaissance man, and will sweep the reader up in Mollino's infectious energy and polymorphous genius.
