Edited by Bruna Biamino, Giovanni Rimoldi. Text by Frank Horvat.
More than 200 works by Croatian-born, France-based photographer Frank Horvat (born 1928) known for his midcentury work in photography, are presented in this comprehensive monograph, alongside images of his personal collection and a selection of works by photography masters with whom Horvat maintained close relationships and exchanges. These include Don McCullin, Robert Doisneau, Sarah Moon, Helmut Newton and Marc Riboud. Excelling in numerous genres, Horvat is famed for his disregard of genre conventions, as this volume amply demonstrates. At the beginning of the 1990s, he was one of the first major photographers to experiment with Photoshop. In 1998, he replaced his professional equipment with a compact camera. As early as the 1950s he was cheerfully demystifying fashion photography, going out onto the street, brazenly positioning a model in the middle of a vegetable market or experimenting with bold cropping or humorous film quotation.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
FORMAT: Pbk, 9.5 x 11.75 in. / 144 pgs / 100 color / 100 duotone. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $60 ISBN: 9788836639151 PUBLISHER: Silvana Editoriale AVAILABLE: 10/23/2018 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA LA ASIA AU/NZ AFR ME
Published by Silvana Editoriale. Edited by Bruna Biamino, Giovanni Rimoldi. Text by Frank Horvat.
More than 200 works by Croatian-born, France-based photographer Frank Horvat (born 1928) known for his midcentury work in photography, are presented in this comprehensive monograph, alongside images of his personal collection and a selection of works by photography masters with whom Horvat maintained close relationships and exchanges. These include Don McCullin, Robert Doisneau, Sarah Moon, Helmut Newton and Marc Riboud. Excelling in numerous genres, Horvat is famed for his disregard of genre conventions, as this volume amply demonstrates. At the beginning of the 1990s, he was one of the first major photographers to experiment with Photoshop. In 1998, he replaced his professional equipment with a compact camera. As early as the 1950s he was cheerfully demystifying fashion photography, going out onto the street, brazenly positioning a model in the middle of a vegetable market or experimenting with bold cropping or humorous film quotation.
