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| | | Julia Margaret Cameron, Florence Henri, Francesca WoodmanThe Art of the FeminineEdited by Giuliano Sergio.
Is there such a thing as a feminine gaze? How can such a seemingly neutral medium as photography address the incredibly nuanced complexities of gender portrayal? Spanning the Victorian, modern and postmodern eras, the works of Julia Margaret Cameron, Florence Henri and Francesca Woodman provide answers to these questions.Despite their differing formal approaches, their portraiture evinces a common stance that affords the viewer a journey through the photographic representation of femininity. The women in their photographs demand to be acknowledged, making photography the space in which identity may be put to the test, where objectification may be escaped and subverted. This book provides a fascinating potted history of the depiction of women by women, across three epochs.
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|  | By Francoise Heilbrun, Helene Bocard, Joelle Bollach, Anne Cartier-Bresson, Dominique de Font-Reaulx, Michel Frizot, Anne de Mondenard, Guy Cogeval.SKIRA PARISISBN: 9782080300928
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|  | Edited by Walter Guadagnini. Text by Charlotte Cotton, Okqui Enwezor, Walter Guadagnini, Thomas Weski, Francesco Zanot.SKIRAISBN: 9788857220543
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FORMAT: Flexi, 8 x 10 in. / 144 pgs / 100 color.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $54
ISBN: 9788836636754
PUBLISHER: Silvana Editorale
AVAILABLE: 9/26/2017
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| Julia Margaret Cameron, Florence Henri, Francesca Woodman
The Art of the Feminine Published by Silvana Editorale.
Edited by Giuliano Sergio. | Is there such a thing as a feminine gaze? How can such a seemingly neutral medium as photography address the incredibly nuanced complexities of gender portrayal? Spanning the Victorian, modern and postmodern eras, the works of Julia Margaret Cameron, Florence Henri and Francesca Woodman provide answers to these questions. Despite their differing formal approaches, their portraiture evinces a common stance that affords the viewer a journey through the photographic representation of femininity. The women in their photographs demand to be acknowledged, making photography the space in which identity may be put to the test, where objectification may be escaped and subverted. This book provides a fascinating potted history of the depiction of women by women, across three epochs.
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