| | BOOK FORMAT
Flexi, 8 x 10 in. / 144 pgs / 100 color. PUBLISHING STATUS
Pub Date 9/26/2017
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2017 p. 97 PRODUCT DETAILS
ISBN 9788836636754 TRADE
List Price: $40.00 CAD $54.00 AVAILABILITY
Not available | TERRITORY
NA LA ASIA AU/NZ AFR ME | | THE SPRING 2025 ARTBOOK | D.A.P. CATALOG  | | Preview our SPRING 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Julia Margaret Cameron, Florence Henri, Francesca WoodmanThe Art of the FeminineEdited by Giuliano Sergio.
Is there such a thing as a feminine gaze? How can such a seemingly neutral medium as photography address the incredibly nuanced complexities of gender portrayal? Spanning the Victorian, modern and postmodern eras, the works of Julia Margaret Cameron, Florence Henri and Francesca Woodman provide answers to these questions.Despite their differing formal approaches, their portraiture evinces a common stance that affords the viewer a journey through the photographic representation of femininity. The women in their photographs demand to be acknowledged, making photography the space in which identity may be put to the test, where objectification may be escaped and subverted. This book provides a fascinating potted history of the depiction of women by women, across three epochs.
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FORMAT: Flexi, 8 x 10 in. / 144 pgs / 100 color.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $54
ISBN: 9788836636754
PUBLISHER: Silvana Editoriale
AVAILABLE: 9/26/2017
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 2017 Page 97 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
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Tel: (212) 627-1999
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| Julia Margaret Cameron, Florence Henri, Francesca Woodman
The Art of the Feminine Published by Silvana Editoriale.
Edited by Giuliano Sergio. Is there such a thing as a feminine gaze? How can such a seemingly neutral medium as photography address the incredibly nuanced complexities of gender portrayal? Spanning the Victorian, modern and postmodern eras, the works of Julia Margaret Cameron, Florence Henri and Francesca Woodman provide answers to these questions. Despite their differing formal approaches, their portraiture evinces a common stance that affords the viewer a journey through the photographic representation of femininity. The women in their photographs demand to be acknowledged, making photography the space in which identity may be put to the test, where objectification may be escaped and subverted. This book provides a fascinating potted history of the depiction of women by women, across three epochs.
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