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| | | | Manuel FelguerezText by Dore Ashton, Juan Villoro, Jorge Reynoso, Alberto González, Angélica García.
A painter of rare independent vision, with an oeuvre that now stretches back a half-century, Manuel Felguérez (born 1928) is without doubt one of Mexico’s most outstanding artists. His abstract paintings of the 1950s and 1960s presented expressively worked surfaces and a scratchy mark-making; later he arrived at the work for which he is best known, abstractions of a more classical bent, that evoke the cylindrical geometries of Fernand Léger and Francis Picabia. But from the start, Felguérez’s painting has been characterized by its earthy feel and warm hues. This superbly produced monograph includes essays on Felguérez by Dore Ashton, who reflects on the artist’s influence both in Mexico and abroad, Mexican writer Juan Villoro, who supplies a personal portrait, and analyses of the work by Jorge Reynoso and Alberto González. Alongside a wealth of excellent color illustrations, this monograph provides a detailed contextualizing chronology of the artist’s life and times.
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|  | STATUS: Out of stock indefinitely. | |
| | | |  | RM/INBA/INSTITUTO ZACATECANO DE CULTURAISBN: 9788417047757
USD $35.00 | CAN $39.95Pub Date: 5/21/2019
Active | Out of stock
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FORMAT: Hbk, 10 x 12 in. / 218 pgs / 115 color / 23 duotone.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $60
ISBN: 9788492480777
PUBLISHER: Editorial RM
AVAILABLE: 7/31/2010
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2010 Page 95 | PRESS INQUIRIES
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| Manuel Felguerez Published by Editorial RM.
Text by Dore Ashton, Juan Villoro, Jorge Reynoso, Alberto González, Angélica García. A painter of rare independent vision, with an oeuvre that now stretches back a half-century, Manuel Felguérez (born 1928) is without doubt one of Mexico’s most outstanding artists. His abstract paintings of the 1950s and 1960s presented expressively worked surfaces and a scratchy mark-making; later he arrived at the work for which he is best known, abstractions of a more classical bent, that evoke the cylindrical geometries of Fernand Léger and Francis Picabia. But from the start, Felguérez’s painting has been characterized by its earthy feel and warm hues. This superbly produced monograph includes essays on Felguérez by Dore Ashton, who reflects on the artist’s influence both in Mexico and abroad, Mexican writer Juan Villoro, who supplies a personal portrait, and analyses of the work by Jorge Reynoso and Alberto González. Alongside a wealth of excellent color illustrations, this monograph provides a detailed contextualizing chronology of the artist’s life and times.
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