Edited by Mathieu Copeland, Balthazar Lovay. Introduction by Mathieu Copeland. Text by Johannes Cladders, Beatriz Colomina, Henry Flynt, et al. Interviews with John Armleder, Robert Barry, Ben, Genesis P-Orridge.
The museum is a constant target for criticism, whether from artists, thinkers, curators or the public. From the 20th-century avant-gardes to the present, the museum’s suspect position has generated iconoclastic actions, attacks, utopias and alternative exhibition spaces. This anthology is devoted to the “anti-museum,” through anti-art, the anti-artist and anti-exhibition, as well as anti-architecture, anti-philosophy, anti-religion, anti-cinema and anti-music. From Dada to noise music, from “Everything is Art” to NO!art, the Japanese avant-gardes to Lettrist cinema, plus major protest figures as Gustav Metzger, Henry Flynt, Graciela Carnevale and Lydia Lunch, The Anti-Museum sketches a polyphonic panorama where negation is accompanied by a powerful breath of life.
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FORMAT: Hbk, 7 x 9.5 in. / 792 pgs / 30 color / 280 b&w. LIST PRICE: U.S. $49.95 LIST PRICE: CANADA $67.5 ISBN: 9783960980032 PUBLISHER: Koenig Books AVAILABLE: 5/23/2017 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA AU/NZ AFR
Published by Koenig Books. Edited by Mathieu Copeland, Balthazar Lovay. Introduction by Mathieu Copeland. Text by Johannes Cladders, Beatriz Colomina, Henry Flynt, et al. Interviews with John Armleder, Robert Barry, Ben, Genesis P-Orridge.
The museum is a constant target for criticism, whether from artists, thinkers, curators or the public. From the 20th-century avant-gardes to the present, the museum’s suspect position has generated iconoclastic actions, attacks, utopias and alternative exhibition spaces. This anthology is devoted to the “anti-museum,” through anti-art, the anti-artist and anti-exhibition, as well as anti-architecture, anti-philosophy, anti-religion, anti-cinema and anti-music. From Dada to noise music, from “Everything is Art” to NO!art, the Japanese avant-gardes to Lettrist cinema, plus major protest figures as Gustav Metzger, Henry Flynt, Graciela Carnevale and Lydia Lunch, The Anti-Museum sketches a polyphonic panorama where negation is accompanied by a powerful breath of life.
