Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
The digital age has changed photography; images circle the globe in seconds and involve us in a conflicted present. Just as in the nineteenth century, when industrialization caused cities to grow in leaps and bounds and reportage emerged as a new form of narrative disseminated by the mass media — a transmitter of urban experience — it is imperative today to come to a renewed understanding of what photographic modalities are appropriate for conveying an image of the world. The publication produced in conjunction with the 7th f/stop Festival for Photography in Leipzig is a passionate plea for a photography that chronicles events: artistic photographs appear next to press images, private snapshots next to historical reportage. For this community of images is what constitutes photography: not one single image but all of them. With photographs from Khaled Barakeh, Bertolt Brecht, Robert Capa, Monika Haller, Familie Khalil, Jens Klein, Andreas Langfeld, Gilles Raynaldy, Gerda Taro, Erik van der Weijde, Jonas Zilius.
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FORMAT: Pbk, 8.25 x 11 in. / 144 pgs / 100 color / 100 b&w. LIST PRICE: U.S. $37.00 LIST PRICE: CANADA $50 ISBN: 9783959051194 PUBLISHER: Spector Books AVAILABLE: 1/1/2016 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA AFR ME ASIA Except Korea
End of the World As We Know It F/Stop Festival For Photography Leipzig 2016
Published by Spector Books.
The digital age has changed photography; images circle the globe in seconds and involve us in a conflicted present. Just as in the nineteenth century, when industrialization caused cities to grow in leaps and bounds and reportage emerged as a new form of narrative disseminated by the mass media — a transmitter of urban experience — it is imperative today to come to a renewed understanding of what photographic modalities are appropriate for conveying an image of the world. The publication produced in conjunction with the 7th f/stop Festival for Photography in Leipzig is a passionate plea for a photography that chronicles events: artistic photographs appear next to press images, private snapshots next to historical reportage. For this community of images is what constitutes photography: not one single image but all of them. With photographs from Khaled Barakeh, Bertolt Brecht, Robert Capa, Monika Haller, Familie Khalil, Jens Klein, Andreas Langfeld, Gilles Raynaldy, Gerda Taro, Erik van der Weijde, Jonas Zilius.
