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| | | | Balthasar BurkhardText by Abigail Solomon-Godeau, Tom Holert, Martin Gasser, Thomas Seelig, Florian Ebner.
 This book presents the many facets of Swiss photographer Balthasar Burkhard (1944–2010). Burkhard’s work combines a sensitive understanding of the body as sculpture and the photographic image as a canvas, making him one of the pioneers in translating photography as a monumental “tableau” into contemporary art. This comprehensive book coalesces Burkhard’s early role as a chronicler of the contemporary art of his time, especially as the main photographer for Swiss curator Harald Szeemann, his conceptual redefinition of photography together with other artists and finally his emancipation as a photo artist.
Featured image is reproduced from 'Balthasar Burkhard.'PRAISE AND REVIEWSAnOther Belle Hutton With a series of texts by Abigail Solomon-Godeau, Tom Holert, Martin Gasser, Thomas Seelig, and Florian Ebner, we see how Burkhard’s practice evolved over the second half of the 20th century, from documenting the art world to portraits of nature and animals. |
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| | | |  | STEIDL/MUSEUM FOLKWANG, ESSEN, FOTOMUSEUM WINTERTHUR/FOTOSTIFTUNG SCHWEIZ, WINTEISBN: 9783958293427
USD $50.00 | CAN $69.95Pub Date: 4/21/2020
Active | In stock
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|  | EDIZIONI PERIFERIAISBN: 9783907474686
USD $68.00 | CAN $90Pub Date: 3/31/2010
Active | In stock
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FORMAT: Pbk, 8.25 x 11.5 in. / 256 pgs / illustrated throughout.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $69.95
ISBN: 9783958293427
PUBLISHER: Steidl/Museum Folkwang, Essen, Fotomuseum Winterthur/Fotostiftung Schweiz, Winte
AVAILABLE: 4/21/2020
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Balthasar Burkhard Published by Steidl/Museum Folkwang, Essen, Fotomuseum Winterthur/Fotostiftung Schweiz, Winte.
Text by Abigail Solomon-Godeau, Tom Holert, Martin Gasser, Thomas Seelig, Florian Ebner. This book presents the many facets of Swiss photographer Balthasar Burkhard (1944–2010). Burkhard’s work combines a sensitive understanding of the body as sculpture and the photographic image as a canvas, making him one of the pioneers in translating photography as a monumental “tableau” into contemporary art. This comprehensive book coalesces Burkhard’s early role as a chronicler of the contemporary art of his time, especially as the main photographer for Swiss curator Harald Szeemann, his conceptual redefinition of photography together with other artists and finally his emancipation as a photo artist.
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