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| | | | Christer Strömholm: LidoEdited with text by Gunnar Smoliansky, Greger Ulf Nilson.
 This book presents little-known photos by the legendary Swedish photographer Christer Strömholm (1918–2002) selected by Gunnar Smoliansky. In the late 1980s, gallerist Kim Klein proposed a small exhibition of Strömholm’s pictures at the Lido Gallery in Stockholm. Strömholm agreed and entrusted Smoliansky with making a selection from his early 6x6 Rolleiflex negatives. Smoliansky was delighted to do so—the planned 10 to 12 photos soon ballooned to 70—and he printed two sets, one for Strömholm and one for himself. The photos date from the late 1940s and early ’50s, and show Strömholm’s formative years in Paris, the south of France, Morocco and other destinations. Most of these pictures had never before been printed, let alone publicized, until their exhibition in 1990.
Featured image is reproduced from 'Christer Strömholm: Lido.' |
|  | STATUS: Forthcoming | 5/23/2023 This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com | |
| | | |  | STEIDL/GUNISBN: 9783958293359
USD $50.00 | CAN $69.95Pub Date: 5/23/2023
Forthcoming
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FORMAT: Clth, 11.75 x 11.75 in. / 96 pgs / 42 b&w.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $69.95
ISBN: 9783958293359
PUBLISHER: Steidl/GUN
AVAILABLE: 5/23/2023
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Forthcoming
AVAILABILITY: Awaiting stock
TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2018 Page 142 | PRESS INQUIRIES
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| Christer Strömholm: Lido Published by Steidl/GUN.
Edited with text by Gunnar Smoliansky, Greger Ulf Nilson. This book presents little-known photos by the legendary Swedish photographer Christer Strömholm (1918–2002) selected by Gunnar Smoliansky. In the late 1980s, gallerist Kim Klein proposed a small exhibition of Strömholm’s pictures at the Lido Gallery in Stockholm. Strömholm agreed and entrusted Smoliansky with making a selection from his early 6x6 Rolleiflex negatives. Smoliansky was delighted to do so—the planned 10 to 12 photos soon ballooned to 70—and he printed two sets, one for Strömholm and one for himself. The photos date from the late 1940s and early ’50s, and show Strömholm’s formative years in Paris, the south of France, Morocco and other destinations. Most of these pictures had never before been printed, let alone publicized, until their exhibition in 1990.
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