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Clth, 8.75 x 11 in. / 104 pgs / 70 color. PUBLISHING STATUS
Pub Date 3/1/2009
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Catalog: SPRING 2009 p. 96 PRODUCT DETAILS
ISBN 9783935567466 FLAT40
List Price: $50.00 CDN $60.00 AVAILABILITY
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| | | Mona Hatoum: UnhomelyText by Kirsty Bell.
The works of Beirut-born artist Mona Hatoum, who currently lives in London and Berlin, incorporate very real topics. Many of her sculptures deal with conditions in the world's crisis regions, or exile; others show that familiar objects from everyday life can become very alien things. Hatoum's works appeal to the body as a common site of experience of scale, material, place and pain. “So while they may be read specifically in terms of her own personal history and the extreme experience of alienation and instability that is the fate of the exile, they also refer to the themes of memory, home, movement, location and space that are part of everyone's physical existence," as Kirsty Bell writes in her essay. Regardless of whether Hatoum works with barbed wire or sandbags, or magnifies kitchen graters into human-scale sculptures, she always succeeds in turning a familiar object into something else, something eerie, something unhomely.
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|  | Text by Kirsty Bell.HOLZWARTH PUBLICATIONSISBN: 9783935567466
USD $50.00 | CAN $60Pub Date: 3/1/2009
Out of print | Not available
|
|  | Essays by Christoph Heinrich, Volker Adolphs, Richard Julin, Ursula Panhans-Bler, and Nina Zimmer.HATJE CANTZISBN: 9783775714440
USD $35.00 | CAN $40Pub Date: 7/2/2004
Out of print | Not available
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FORMAT: Clth, 8.75 x 11 in. / 104 pgs / 70 color.
LIST PRICE: U.S. $50.00
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ISBN: 9783935567466
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| Mona Hatoum: Unhomely Published by Holzwarth Publications.
Text by Kirsty Bell. | The works of Beirut-born artist Mona Hatoum, who currently lives in London and Berlin, incorporate very real topics. Many of her sculptures deal with conditions in the world's crisis regions, or exile; others show that familiar objects from everyday life can become very alien things. Hatoum's works appeal to the body as a common site of experience of scale, material, place and pain. “So while they may be read specifically in terms of her own personal history and the extreme experience of alienation and instability that is the fate of the exile, they also refer to the themes of memory, home, movement, location and space that are part of everyone's physical existence," as Kirsty Bell writes in her essay. Regardless of whether Hatoum works with barbed wire or sandbags, or magnifies kitchen graters into human-scale sculptures, she always succeeds in turning a familiar object into something else, something eerie, something unhomely.
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