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Hardback, 8.5 x 10.75 in. / 120 pgs / 80 color. PUBLISHING STATUS
Pub Date 10/1/2008
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ISBN 9783935567459 FLAT40
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| | | Ernesto Neto: From Sebastian to Olivia
With the complex installation From Sebastian to Olivia, Brazilian artist Ernesto Neto presents an artistic vision of organic relations. As the title suggests, this is a world of compressed spaces, originating from the knowledge that two people can share a room and still be cut off from one another by its architecture--unable to come into contact or communicate. Structurally, the work illustrates the isolation and loneliness of two spheres, male and female, while indicating that contact could become possible. “I am sculpture and think as sculpture,” says Neto, describing his perception that sculpture is a living organism and knows no bounds. In addition to subtle lighting direction and the use of scents, the artist employs stairways, a viewing platform, a swing, stools, free-standing sculptural works, spice drawings and wall sculpture to demonstrate this blurring of boundaries. Here, spatial and sensual layers are linked to recreate a world of organic membranes.
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|  | HOLZWARTH PUBLICATIONSISBN: 9783935567459
USD $69.00 | CAN $92.5Pub Date: 10/1/2008
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FORMAT: Hardback, 8.5 x 10.75 in. / 120 pgs / 80 color.
LIST PRICE: U.S. $69.00
LIST PRICE: CANADA $92.5
ISBN: 9783935567459
PUBLISHER: Holzwarth Publications
AVAILABLE: 10/1/2008
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| Ernesto Neto: From Sebastian to Olivia Published by Holzwarth Publications. | With the complex installation From Sebastian to Olivia, Brazilian artist Ernesto Neto presents an artistic vision of organic relations. As the title suggests, this is a world of compressed spaces, originating from the knowledge that two people can share a room and still be cut off from one another by its architecture--unable to come into contact or communicate. Structurally, the work illustrates the isolation and loneliness of two spheres, male and female, while indicating that contact could become possible. “I am sculpture and think as sculpture,” says Neto, describing his perception that sculpture is a living organism and knows no bounds. In addition to subtle lighting direction and the use of scents, the artist employs stairways, a viewing platform, a swing, stools, free-standing sculptural works, spice drawings and wall sculpture to demonstrate this blurring of boundaries. Here, spatial and sensual layers are linked to recreate a world of organic membranes.
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