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| | BOOK FORMAT
Hardback, 11.75 x 12.25 in. / 40 pgs / 11 color / 3 bw. PUBLISHING STATUS
Pub Date 3/1/2008
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2008 p. 158 PRODUCT DETAILS
ISBN 9783935567428 FLAT40
List Price: $50.00 CDN $67.50 AVAILABILITY
Not available | TERRITORY
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| | | Christopher WoolText by Friedrich Meschede.
This book throws the recent developments in the work of American artist Christopher Wool into sharp focus. Eleven paintings and large-format silkscreens from 2007 that were exhibited together at Galerie Max Hetzler in Berlin are presented on beautiful tip-in color plates that reveal all the richness of nuances in an oeuvre which has become ever more subtle, ever more painterly. This is abstract art that no longer has anything to do with denial, as Friedrich Meschede writes in his essay: "If I should attempt to describe it through language, it seems to me that Christopher Wool wants to give expression to the nothingness before nothing, and to do so exclusively through the pictorial means of the elementally visible, with no terms attached. Christopher Wool neither insists on nor attacks anything. What he does attempt is to re-think the terms you arrive at when viewing his pictures."
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Active | In stock
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FORMAT: Hardback, 11.75 x 12.25 in. / 40 pgs / 11 color / 3 b&w.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $67.5
ISBN: 9783935567428
PUBLISHER: Holzwarth Publications
AVAILABLE: 3/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ ME | D.A.P. CATALOG: SPRING 2008 Page 158 | PRESS INQUIRIES
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| Christopher Wool Published by Holzwarth Publications.
Text by Friedrich Meschede. This book throws the recent developments in the work of American artist Christopher Wool into sharp focus. Eleven paintings and large-format silkscreens from 2007 that were exhibited together at Galerie Max Hetzler in Berlin are presented on beautiful tip-in color plates that reveal all the richness of nuances in an oeuvre which has become ever more subtle, ever more painterly. This is abstract art that no longer has anything to do with denial, as Friedrich Meschede writes in his essay: "If I should attempt to describe it through language, it seems to me that Christopher Wool wants to give expression to the nothingness before nothing, and to do so exclusively through the pictorial means of the elementally visible, with no terms attached. Christopher Wool neither insists on nor attacks anything. What he does attempt is to re-think the terms you arrive at when viewing his pictures."
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