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| | | | Jonathan Meese: Drawings. Vol. I
In his early drawings from the 1990s--with their energetically-rendered juxtapositions of text and image--German artist Jonathan Meese gave voice to a particularly contemporary strain of abjection: “Soon I’ll have a lot to say, sorry,” reads one. “I feel like I’m shuddering all over,” declares another. And a third is helpfully labeled, “This is someone burning from the inside out.” Continuing in this vein, Meese’s captions illustrate hundreds of works--created on his mother’s living room floor while he was in his twenties, with the cheapest available materials. They feature Expressionistic figures with distorted features--and, though drawn with great urgency, feel very delicately composed. As seen together in this volume, the importance of these drawings emerges. They are the angst-filled foundation of Meese’s mature work--a tortured mélange of installation, sculpture and performance that is infamously contentious and internationally renowned.
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FORMAT: Hardback, 10 x 13.5 in. / 370 pgs / 360 color.
LIST PRICE: U.S. $325.00
LIST PRICE: CANADA $435
ISBN: 9783931355418
PUBLISHER: Walther König/Contemporary Fine Arts, Berlin
AVAILABLE: 3/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: SPRING 2008 Page 156 | PRESS INQUIRIES
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| Jonathan Meese: Drawings. Vol. I Published by Walther König/Contemporary Fine Arts, Berlin. In his early drawings from the 1990s--with their energetically-rendered juxtapositions of text and image--German artist Jonathan Meese gave voice to a particularly contemporary strain of abjection: “Soon I’ll have a lot to say, sorry,” reads one. “I feel like I’m shuddering all over,” declares another. And a third is helpfully labeled, “This is someone burning from the inside out.” Continuing in this vein, Meese’s captions illustrate hundreds of works--created on his mother’s living room floor while he was in his twenties, with the cheapest available materials. They feature Expressionistic figures with distorted features--and, though drawn with great urgency, feel very delicately composed. As seen together in this volume, the importance of these drawings emerges. They are the angst-filled foundation of Meese’s mature work--a tortured mélange of installation, sculpture and performance that is infamously contentious and internationally renowned.
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