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Paperback, 9.25 x 11.25 in. / 160 pgs / 100 color. PUBLISHING STATUS
Pub Date 3/1/2008
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Catalog: SPRING 2008 p. 140 PRODUCT DETAILS
ISBN 9783905770681 TRADE
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NA LA ASIA AU/NZ AFR ME | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Kelley WalkerEdited by Yves Aupetitallot, Anne Pontegnie. Text by Bob Nickas, Scott Rothkopf, Anne Pontegnie.
New York-based artist Kelley Walker hacks advertising and displays its inner workings as art. His large-scale prints appropriate iconic cultural images, digitally altering them to expose their underlying agendas. In “Black Star Press: Black Star, Star Press Star” (2004), Walker combined nondigital collage processes to reference abstract painting: He smeared newspaper photos of the Birmingham race riots with melted chocolate and toothpaste, scanned them into a computer and made photographic prints from the results. Such hybridized work is neither quite post-Pop nor just appropriation. In the past few years, Walker has emerged as one of the most innovative and rigorous young artists in New York and has become much in demand not only for his solo work but for his collaborations with fellow New Yorker Wade Guyton. This monograph is a valuable introduction to Walker’s technical processes, and essays by maverick critic and curator Bob Nickas and writer Scott Rothkopf lend much insight into his practice.
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| | | |  | JRP|RingierISBN: 9783037644959
USD $45.00 | CAN $60Pub Date: 3/28/2017
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|  | JRP|RingierISBN: 9783905770681
USD $49.00 | CAN $65Pub Date: 3/1/2008
Active | In stock
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FORMAT: Paperback, 9.25 x 11.25 in. / 160 pgs / 100 color.
LIST PRICE: U.S. $49.00
LIST PRICE: CANADA $65
ISBN: 9783905770681
PUBLISHER: JRP|Ringier
AVAILABLE: 3/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2008 Page 140 | PRESS INQUIRIES
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| Kelley Walker Published by JRP|Ringier.
Edited by Yves Aupetitallot, Anne Pontegnie. Text by Bob Nickas, Scott Rothkopf, Anne Pontegnie. New York-based artist Kelley Walker hacks advertising and displays its inner workings as art. His large-scale prints appropriate iconic cultural images, digitally altering them to expose their underlying agendas. In “Black Star Press: Black Star, Star Press Star” (2004), Walker combined nondigital collage processes to reference abstract painting: He smeared newspaper photos of the Birmingham race riots with melted chocolate and toothpaste, scanned them into a computer and made photographic prints from the results. Such hybridized work is neither quite post-Pop nor just appropriation. In the past few years, Walker has emerged as one of the most innovative and rigorous young artists in New York and has become much in demand not only for his solo work but for his collaborations with fellow New Yorker Wade Guyton. This monograph is a valuable introduction to Walker’s technical processes, and essays by maverick critic and curator Bob Nickas and writer Scott Rothkopf lend much insight into his practice.
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