Edited with text by Jeffrey Uslip. Text by Christophe Cherix, Suzanne Hudson, Anne Pontégnie.
Since the early 2000s, New York–based Kelley Walker (born 1969) has developed a body of work that uses the potency of advertising strategies to interrogate the ways a single image can migrate into several cultural contexts and how everything and everyone is subject to reinvention. Often using such technologies as 3-D modeling and laser cutting, Walker works in photography, painting, printmaking, collage and sculpture, to draw attention to popular culture’s perpetual consumption. This comprehensive monograph features Walker’s various bodies of works to date (the Black Star Press, Brick Paintings, Recycling Signs and Schema series, among others) alongside his most recent pieces. Edited and introduced by Jeffrey Uslip, it brings together new essays by MoMA curator Christophe Cherix, Le Consortium’s Co-Director Anne Pontégnie and University of Southern California’s Professor Suzanne Hudson.
in stock $45.00
Free Shipping
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
FORMAT: Hbk, 8.25 x 11 in. / 160 pgs / 90 color. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $60 ISBN: 9783037644959 PUBLISHER: JRP|Ringier AVAILABLE: 3/28/2017 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR ME
Published by JRP|Ringier. Edited with text by Jeffrey Uslip. Text by Christophe Cherix, Suzanne Hudson, Anne Pontégnie.
Since the early 2000s, New York–based Kelley Walker (born 1969) has developed a body of work that uses the potency of advertising strategies to interrogate the ways a single image can migrate into several cultural contexts and how everything and everyone is subject to reinvention. Often using such technologies as 3-D modeling and laser cutting, Walker works in photography, painting, printmaking, collage and sculpture, to draw attention to popular culture’s perpetual consumption. This comprehensive monograph features Walker’s various bodies of works to date (the Black Star Press, Brick Paintings, Recycling Signs and Schema series, among others) alongside his most recent pieces. Edited and introduced by Jeffrey Uslip, it brings together new essays by MoMA curator Christophe Cherix, Le Consortium’s Co-Director Anne Pontégnie and University of Southern California’s Professor Suzanne Hudson.
