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| | BOOK FORMAT
Clth, 8.75 x 12 in. / 76 pgs / 32 color / 12 bw. PUBLISHING STATUS
Pub Date 3/31/2012
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2012 p. 84 PRODUCT DETAILS
ISBN 9783901935442 TRADE
List Price: $30.00 CDN $40.00 AVAILABILITY
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| | | Alex Katz: Face the MusicEdited by Arne Ehmann. Introduction by Charles L. Reinhart. Text by Mark Rappolt.
In 1960, Alex Katz (born 1927) began to collaborate with the Paul Taylor Dance Company, commencing a relationship with dance that has spanned his entire career. Undertaken for the company’s performance of The Red Room (later known as Post Meridian) at the legendary Festival of Two Worlds in Spoleto, Katz’s contribution consisted of three enormous red panels that defined the stage, and round wooden discs capable of holding two dancers, which floated down from the top of the theater rafters. During the collaboration, Katz also made numerous portraits of both dancers and dances. Katz and Taylor collaborated again in the 1980s, but the painter has only recently returned to the depiction of dance, with a new series of portraits of leading figures in the New York dance scene. Alex Katz: Face the Music surveys Katz’s career-long involvement with dance, reproducing canvases, cartoons, drawings and studies in oil.
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FORMAT: Clth, 8.75 x 12 in. / 76 pgs / 32 color / 12 b&w.
LIST PRICE: U.S. $30.00
LIST PRICE: CANADA $40
ISBN: 9783901935442
PUBLISHER: Galerie Thaddaeus Ropac
AVAILABLE: 3/31/2012
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2012 Page 84 | PRESS INQUIRIES
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Fax: (212) 627-9484
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| Alex Katz: Face the Music Published by Galerie Thaddaeus Ropac.
Edited by Arne Ehmann. Introduction by Charles L. Reinhart. Text by Mark Rappolt. In 1960, Alex Katz (born 1927) began to collaborate with the Paul Taylor Dance Company, commencing a relationship with dance that has spanned his entire career. Undertaken for the company’s performance of The Red Room (later known as Post Meridian) at the legendary Festival of Two Worlds in Spoleto, Katz’s contribution consisted of three enormous red panels that defined the stage, and round wooden discs capable of holding two dancers, which floated down from the top of the theater rafters. During the collaboration, Katz also made numerous portraits of both dancers and dances. Katz and Taylor collaborated again in the 1980s, but the painter has only recently returned to the depiction of dance, with a new series of portraits of leading figures in the New York dance scene. Alex Katz: Face the Music surveys Katz’s career-long involvement with dance, reproducing canvases, cartoons, drawings and studies in oil.
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