Distance and Desire

FORMAT: Clth, 9.75 x 12.5 in. / 352 pgs / illustrated throughout.
LIST PRICE: U.S. $100.00
LIST PRICE: CANADA $140
ISBN: 9783869306513
PUBLISHER: Steidl
AVAILABLE: 5/1/2013
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA ONLY

D.A.P. CATALOG: FALL 2014

PRESS INQUIRIES

Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
Email Press Inquiries: publicity@dapinc.com

TRADE RESALE ORDERS

D.A.P. | DISTRIBUTED ART PUBLISHERS
Tel: (212) 627-1999
Fax: (212) 627-9484
Customer Service: (800) 338-2665
Email Trade Sales: orders@dapinc.com

Distance and Desire

Published by Steidl.
Edited by Tamar Gard. Contributions by Awam Amkpa, Jennifer Bajorek, Elizabeth Edwards, Cheryl Finley.

Distance and Desire is the first major publication to stage a dialogue between the ethnographic visions of late-nineteenth and early-twentieth century African photography and engagements with this imagery by contemporary artists. Presenting an extraordinary range of portraits, albums, postcards, cartes de visite and books from Southern Africa, as well as recent photography and video art from The Walther Collection, the catalogue includes original thematic essays by leading art historians, anthropologists and cultural critics. Distance and Desire offers new perspectives on the African archive, reimagining its diverse histories and changing meanings. It investigates typical representations of African subjects, from scenes in nature, to romanticized images of semi-nude models, to modern sitters posing in stylized studios, critically addressing the politics of colonialism and the complex issues of gender and identity. Among many diverse topics, the catalogue examines in-depth a series of cartes de visite from the Diamond Fields in Kimberley, the figure of the Zulu, the history of South Africa's prominent studio photographers, A.M. Duggan-Cronin's extensive ethnographic study The Bantu Tribes of South Africa and the archive of elegant family portraits reproduced by the contemporary artist Santu Mofokeng in The Black Photo Album / Look at Me: 1890–1950. The catalogue also reveals how the heritage of African imagery figures in the practices of contemporary African and African American artists, whose compelling photography and video art reworks the archive through satire or appropriation.

VIEW MORE ONLINE AT: https://www.artbook.com/9783869306513.html