| | PUBLISHER Kunsthaus BregenzBOOK FORMAT Clth, 8 x 11.25 in. / 288 pgs / 100 color. PUBLISHING STATUS Pub Date 12/31/2011 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2011 p. 154 PRODUCT DETAILS ISBN 9783865609861 TRADE List Price: $60.00 CAD $70.00 AVAILABILITY Not available | TERRITORY NA LA ASIA AU/NZ | | THE FALL 2026 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | KUNSTHAUS BREGENZThat's the Way We Do ItTechniques and Aesthetics of Appropriation, From Ei Arakawa to Andy WarholEdited by Yilmaz Dziewior. Text by Sebastian Egenhofer.
That's the Way We Do It surveys the history of appropriation art, and features pioneers such as John Baldessari, Jean-Luc Godard, Richard Prince, Martha Rosler and Andy Warhol. It also showcases the work of a younger generation to examine how these modes of pictorial invention remain of fundamental significance today.
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FORMAT: Clth, 8 x 11.25 in. / 288 pgs / 100 color. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $70 ISBN: 9783865609861 PUBLISHER: Kunsthaus Bregenz AVAILABLE: 12/31/2011 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ | D.A.P. CATALOG: FALL 2011 Page 154 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| That's the Way We Do It Techniques and Aesthetics of Appropriation, From Ei Arakawa to Andy Warhol Published by Kunsthaus Bregenz. Edited by Yilmaz Dziewior. Text by Sebastian Egenhofer. That's the Way We Do It surveys the history of appropriation art, and features pioneers such as John Baldessari, Jean-Luc Godard, Richard Prince, Martha Rosler and Andy Warhol. It also showcases the work of a younger generation to examine how these modes of pictorial invention remain of fundamental significance today.
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