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COLLECTIONS | INSTITUTIONAL HISTORIES

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 9.75 x 12 in. / 240 pgs / 150 color.

PUBLISHING STATUS
Pub Date
Out of print

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2011 p. 154   

PRODUCT DETAILS
ISBN 9783775729987 TRADE
List Price: $60.00 CAD $70.00

AVAILABILITY
Not available

TERRITORY
NA LA

EXHIBITION SCHEDULE

Bonn, Germany
Kunstmuseum Bonn, 06/30/11-09/25/11

St. Gallen, Switzerland, Kunstmuseum St. Gallen, 10/15/11-01/29/12

THE SPRING 2026 ARTBOOK | D.A.P. CATALOG

Artbook | D.A.P. Catalog Cover Link
Preview our SPRING 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
  

HATJE CANTZ

Through the Looking Brain

Text by Stephan Berg, Konrad Bitterli, David Campany, Stefan Gronert, Dora Imhof.

Founded in 1990, Luwa AG's rarely exhibited photography collection is one of the world's most comprehensive gatherings of conceptual photography. It contains major works by artists such as Bernd and Hilla Becher, Sigmar Polke, Imi Knoebel, Martin Kippenberger, Thomas Ruff, Andreas Gursky, Fischli/Weiss, Roman Signer, Richard Prince, Jeff Wall, Hiroshi Sugimoto, Stan Douglas and Gabriel Orozco.
Through the Looking Brain

STATUS: Out of print | 00/00/00

For assistance locating a copy, please see our list of recommended out of print specialists

FROM THE BOOK
"Looked at as a whole, the works gathered together here cover one of the richest and most complex periods in the development of photographic art. The collection of Zellweger Luwa AG begins with key works of Conceptual and performance art from the late sixties and early seventies; passes through what came to be called the 'postmodern' arts of appropriation, quotation, and rephotography; and concludes with large-scale photographic tableaux. Each of these moments is, of course, rich and complex in its own right and has been the subject of important exhibitions and critical studies. Through the Looking Brain allows us to consider what is particular about these moments, but more importantly perhaps it allows us to see significant overlaps, dialogues, and what its artistic possibility has been thought to be across the last four decades."

David Campany, excerpted from Traces and Pictures in Through the Looking Brain.

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