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Paperback, 6.50 x 9.75 in. / 184 pgs / 128 color. PUBLISHING STATUS
Pub Date 3/1/2008
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Catalog: SPRING 2008 p. 184 PRODUCT DETAILS
ISBN 9783865603425 TRADE
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| | | The Message: Art and OccultismEdited by Michael Krajewski, Susanne Zander. Text by André Breton, Claudia Dichter, Andreas Fischer.
Occult practices, séances and magic have traditionally been met with suspicion in the world of high culture, but they are currently getting a fresh look. Turns out, they have long had a quiet influence on art--at least since the mid-1800s. The Message demonstrates this fascinating history with paranormal-influenced paintings, drawings and thought photographs, a term for the phenomenon of imprinting an image from one’s mind directly onto a photographic medium--something we’ve all at least wished we could do... By the early eighteenth century, the occult had found a home in the arts with the advent of Surrealism--in 1933, André Breton discussed these inexplicable phenomena in his text, The Automatic Message. This publication borrows its name from Breton’s text; and features early-twentieth-century photographs of séances from the archive of parapsychologist Albert von Schrenck-Notzing, which vividly illustrate Breton’s ideas.
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FORMAT: Paperback, 6.50 x 9.75 in. / 184 pgs / 128 color.
LIST PRICE: U.S. $48.00
LIST PRICE: CANADA $60
ISBN: 9783865603425
PUBLISHER: Walther König, Köln
AVAILABLE: 3/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
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| The Message: Art and Occultism Published by Walther König, Köln.
Edited by Michael Krajewski, Susanne Zander. Text by André Breton, Claudia Dichter, Andreas Fischer. | Occult practices, séances and magic have traditionally been met with suspicion in the world of high culture, but they are currently getting a fresh look. Turns out, they have long had a quiet influence on art--at least since the mid-1800s. The Message demonstrates this fascinating history with paranormal-influenced paintings, drawings and thought photographs, a term for the phenomenon of imprinting an image from one’s mind directly onto a photographic medium--something we’ve all at least wished we could do... By the early eighteenth century, the occult had found a home in the arts with the advent of Surrealism--in 1933, André Breton discussed these inexplicable phenomena in his text, The Automatic Message. This publication borrows its name from Breton’s text; and features early-twentieth-century photographs of séances from the archive of parapsychologist Albert von Schrenck-Notzing, which vividly illustrate Breton’s ideas.
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