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| | | | Olafur Eliasson & David Adjaye: Your Black HorizonArt PavillonEdited by Eva Ebersberger. Text by Daniela Zyman, Daniel Birnbaum.
Olafur Eliasson, one of today’s most acclaimed contemporary artists, and David Adjaye, a rising architecture star, have engaged in a unique collaboration. Eliasson’s light installation “Your Black Horizon,” which debuted at the 2005 Venice Biennale, was conceived from the start as a hybridization of both of their practices. The piece consists of a light, representing a horizon line, that emanates through a narrow gap in an architectural structure. This is the only light source, and it runs around the entire dark gallery space, without any visual obstruction. The optical illusion that is achieved is that of a reversed horizon line. This publication is presented in conjunction with the installation of this project in Croatia. Critic and curator Daniel Birnbaum, writer Eva Ebersberger and curator Daniela Zyman contribute in-depth essays, which are accompanied by large-scale spreads of the project.
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FORMAT: Hardback, 10 x 8.5 in. / 168 pgs / 112 color / 8 b&w.
LIST PRICE: U.S. $49.95
LIST PRICE: CANADA $67.5
ISBN: 9783865603043
PUBLISHER: Walther König/Thyssen-Bornemisza Art Contemporary
AVAILABLE: 3/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
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| Olafur Eliasson & David Adjaye: Your Black Horizon
Art Pavillon Published by Walther König/Thyssen-Bornemisza Art Contemporary.
Edited by Eva Ebersberger. Text by Daniela Zyman, Daniel Birnbaum. Olafur Eliasson, one of today’s most acclaimed contemporary artists, and David Adjaye, a rising architecture star, have engaged in a unique collaboration. Eliasson’s light installation “Your Black Horizon,” which debuted at the 2005 Venice Biennale, was conceived from the start as a hybridization of both of their practices. The piece consists of a light, representing a horizon line, that emanates through a narrow gap in an architectural structure. This is the only light source, and it runs around the entire dark gallery space, without any visual obstruction. The optical illusion that is achieved is that of a reversed horizon line. This publication is presented in conjunction with the installation of this project in Croatia. Critic and curator Daniel Birnbaum, writer Eva Ebersberger and curator Daniela Zyman contribute in-depth essays, which are accompanied by large-scale spreads of the project.
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