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| | | | Robert Frank: Hold Still, Keep GoingEdited by Ute Eskildsen. Text by Ute Eskildsen, Christoph Ribbat, Wolfgang Beilenhoff. Interview by Ute Eskildsen.
Originally published to coincide with Robert Frank's exhibition HOLD STILL_keep going at Germany's Museum Folkwang, Essen, in 2001, this book explores the filmic aspects of Frank's photography. The interaction between the still and moving image permeates Frank's oeuvre, from his early still photographs, to his concentration on filmmaking in the 1960s and his use of both thereafter. Adopting a non-chronological approach that juxtaposes work from a career spanning more than 60 years, this volume collects prints, film stills and collages, as well as sequences of still photography arranged like fragments from films. Frank's use of text is also crucial, both in his films (in the form of scripted and improvised dialogue), and through words handwritten on the photographs.
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FORMAT: Hbk, 8 x 10.5 in. / 168 pgs / illustrated throughout.
LIST PRICE: U.S. $59.95
LIST PRICE: CANADA $70
ISBN: 9783865218124
PUBLISHER: Steidl/The Robert Frank Project
AVAILABLE: 4/1/2009
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2010 Page 90 | PRESS INQUIRIES
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Fax: (212) 627-9484
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| Robert Frank: Hold Still, Keep Going Published by Steidl/The Robert Frank Project.
Edited by Ute Eskildsen. Text by Ute Eskildsen, Christoph Ribbat, Wolfgang Beilenhoff. Interview by Ute Eskildsen. Originally published to coincide with Robert Frank's exhibition HOLD STILL_keep going at Germany's Museum Folkwang, Essen, in 2001, this book explores the filmic aspects of Frank's photography. The interaction between the still and moving image permeates Frank's oeuvre, from his early still photographs, to his concentration on filmmaking in the 1960s and his use of both thereafter. Adopting a non-chronological approach that juxtaposes work from a career spanning more than 60 years, this volume collects prints, film stills and collages, as well as sequences of still photography arranged like fragments from films. Frank's use of text is also crucial, both in his films (in the form of scripted and improvised dialogue), and through words handwritten on the photographs.
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