Edited by Sabine Breitwieser. Text by Kathy Battista, Simone Forti, Billy Klüver, Michelle Kuo, Catherine Morris, Zabet Patterson, John Tain, Sabine Breit.
Based in New York, Experiments in Art and Technology (E.A.T.) was a unique association of engineers and artists that included Robert Rauschenberg, Robert Whitman, Billy Klüver and Fred Waldhauer. The initiative was launched to realize works of art in unprecedented collaborative ventures, employ cutting-edge technology and to create artworks that would not have been possible without the expertise of scientists. Among these works were Jean Tinguely’s Homage to New York (1960) and David Tudor’s Rainforest (1973), as well as the legendary 9 Evenings (1966) and ARTCASH (1971). This comprehensive overview offers a chronology of E.A.T.’s projects from 1960 to 1973, examining each project with a range of installation shots, archival photographs and ephemera, and essays by Simone Forti, Catherine Morris and others.
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FORMAT: Pbk, 9.5 x 11 in. / 240 pgs / 88 color / 89 b&w. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $52.5 ISBN: 9783863357832 PUBLISHER: Walther König, Köln AVAILABLE: 1/26/2016 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ AFR
Published by Walther König, Köln. Edited by Sabine Breitwieser. Text by Kathy Battista, Simone Forti, Billy Klüver, Michelle Kuo, Catherine Morris, Zabet Patterson, John Tain, Sabine Breit.
Based in New York, Experiments in Art and Technology (E.A.T.) was a unique association of engineers and artists that included Robert Rauschenberg, Robert Whitman, Billy Klüver and Fred Waldhauer. The initiative was launched to realize works of art in unprecedented collaborative ventures, employ cutting-edge technology and to create artworks that would not have been possible without the expertise of scientists. Among these works were Jean Tinguely’s Homage to New York (1960) and David Tudor’s Rainforest (1973), as well as the legendary 9 Evenings (1966) and ARTCASH (1971). This comprehensive overview offers a chronology of E.A.T.’s projects from 1960 to 1973, examining each project with a range of installation shots, archival photographs and ephemera, and essays by Simone Forti, Catherine Morris and others.
