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| |   |   | Tal R: The VirginEdited by Marie Nipper, Anne Mette Thomsen. Foreword by Jens Erik Sørensen, Marie Nipper. Text by Marie Nipper, Barry Schwabsky, Søren Ulrik Thomsen.
A mammoth scrapbook of drawings, paintings, textiles and collages by the popular Copenhagen-based, Israeli artist Tal R (born 1967), The Virgin combines new and old work to offer a total portrait of the vibrant oeuvre of this perennially popular artist. A special focus of the volume is the pigment paintings upon which he embarked in the early 2000s. Tal R’s riotously colorful works move freely between figuration and abstraction, and are characterized by an immediately evident ease with his media, and indeed with the very process of making art. As Barry Schwabsky writes, in an essay for this volume: “What’s obvious immediately is that Tal R is a natural. That means his being an artist, or something like an artist, isn’t exactly a choice--it’s something he could have avoided only at great cost.” This volume traces the breaks and continuities in Tal R’s two-decade career.
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FORMAT: Hbk, 9.25 x 11 in. / 386 pgs / 285 color. LIST PRICE: U.S. $69.95 LIST PRICE: CANADA $92.5 ISBN: 9783863354848 PUBLISHER: Walther König, Köln AVAILABLE: 6/30/2014 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: FALL 2014 Page 186 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Tal R: The Virgin Published by Walther König, Köln. Edited by Marie Nipper, Anne Mette Thomsen. Foreword by Jens Erik Sørensen, Marie Nipper. Text by Marie Nipper, Barry Schwabsky, Søren Ulrik Thomsen. A mammoth scrapbook of drawings, paintings, textiles and collages by the popular Copenhagen-based, Israeli artist Tal R (born 1967), The Virgin combines new and old work to offer a total portrait of the vibrant oeuvre of this perennially popular artist. A special focus of the volume is the pigment paintings upon which he embarked in the early 2000s. Tal R’s riotously colorful works move freely between figuration and abstraction, and are characterized by an immediately evident ease with his media, and indeed with the very process of making art. As Barry Schwabsky writes, in an essay for this volume: “What’s obvious immediately is that Tal R is a natural. That means his being an artist, or something like an artist, isn’t exactly a choice--it’s something he could have avoided only at great cost.” This volume traces the breaks and continuities in Tal R’s two-decade career.
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