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KUNSTHAUS BREGENZ/STEDELIJK MUSEUM AMSTERDAM
Jeff Wall: Tableaux Pictures Photographs 1996-2013
Jeff Wall (born 1946) is both one of the most innovative and classic photographers of his generation. He became well known in the 1970s for his large-format transparencies, backlit by fluorescent lightboxes. His subject matter is varied and wide-ranging, based on situations experienced by the artist that are then recreated for the camera. Wall's combination of color prints and lightbox images, which he calls "cinematic" photographs, were completely novel and somewhat controversial when he first used them: only black-and-white photographs were considered appropriate for a serious museum exhibit. In 1996, Wall expanded his repertoire to begin producing monochrome images, further exploring the cinematographic--particularly film noir--and the aesthetics of classic photography. This volume, accompanying a Kunsthaus Bregenz exhibition, begins with these monochrome pictures and continues through the present. Many of the works are reproduced here for the first time.
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FORMAT: Hbk, 10 x 11.80 in. / 140 pgs / 33 color / 12 b&w. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $65 ISBN: 9783863354688 PUBLISHER: Kunsthaus Bregenz/Stedelijk Museum Amsterdam AVAILABLE: 2/24/2015 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ
Jeff Wall: Tableaux Pictures Photographs 1996-2013
Published by Kunsthaus Bregenz/Stedelijk Museum Amsterdam.
Jeff Wall (born 1946) is both one of the most innovative and classic photographers of his generation. He became well known in the 1970s for his large-format transparencies, backlit by fluorescent lightboxes. His subject matter is varied and wide-ranging, based on situations experienced by the artist that are then recreated for the camera. Wall's combination of color prints and lightbox images, which he calls "cinematic" photographs, were completely novel and somewhat controversial when he first used them: only black-and-white photographs were considered appropriate for a serious museum exhibit. In 1996, Wall expanded his repertoire to begin producing monochrome images, further exploring the cinematographic--particularly film noir--and the aesthetics of classic photography. This volume, accompanying a Kunsthaus Bregenz exhibition, begins with these monochrome pictures and continues through the present. Many of the works are reproduced here for the first time.
