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| | | | Lawrence Weiner: DrawingsWritten on the WindEdited by Alice Zimmerman Weiner. Foreword by Bartomeu Marí. Introduction by Soledad Gutiérrez. Text by Kathryn Chiong, Gregor Stemmrich.
 Lawrence Weiner (born 1942) began his career as an artist in the early 1960s, traveling across the U.S., Mexico, Canada and eventually to Europe, furnishing himself with an ad hoc education on the way. He soon turned away from any conception of art as requiring a production of objects and focused instead on constructing new ways of perceiving language. Today, Weiner works with almost any medium, from books and movies to public and private installations, on grand and small scales. Throughout, drawing has been a core practice, and Written on the Wind comprehensively documents his works on paper for the first time, including installation plans, book layouts, notes and technical drawings. In collaboration with book designer Filiep Tacq, Weiner has designed a plate section for the volume that consists of more than 120 drawings presented within sequences of gestural graphics to provide a narrative, “drawn” chapter.
Featured image, "Untitled (AFTER ALL)" (2000), is reproduced from Lawrence Weiner: Drawings. |
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| | | |  | WALTHER KöNIG, KöLNISBN: 9783863357993
USD $35.00 | CAN $47.5Pub Date: 1/26/2016
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|  | WALTHER KöNIG, KöLNISBN: 9783863353193
USD $59.95 | CAN $79Pub Date: 9/30/2013
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FORMAT: Pbk, 9.5 x 11.75 in. / 192 pgs / 263 color.
LIST PRICE: U.S. $59.95
LIST PRICE: CANADA $79
ISBN: 9783863353193
PUBLISHER: Walther König, Köln
AVAILABLE: 9/30/2013
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| Lawrence Weiner: Drawings
Written on the Wind Published by Walther König, Köln.
Edited by Alice Zimmerman Weiner. Foreword by Bartomeu Marí. Introduction by Soledad Gutiérrez. Text by Kathryn Chiong, Gregor Stemmrich. Lawrence Weiner (born 1942) began his career as an artist in the early 1960s, traveling across the U.S., Mexico, Canada and eventually to Europe, furnishing himself with an ad hoc education on the way. He soon turned away from any conception of art as requiring a production of objects and focused instead on constructing new ways of perceiving language. Today, Weiner works with almost any medium, from books and movies to public and private installations, on grand and small scales. Throughout, drawing has been a core practice, and Written on the Wind comprehensively documents his works on paper for the first time, including installation plans, book layouts, notes and technical drawings. In collaboration with book designer Filiep Tacq, Weiner has designed a plate section for the volume that consists of more than 120 drawings presented within sequences of gestural graphics to provide a narrative, “drawn” chapter.
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