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| | | | Robert Overby: 336 to 1 August 1973-July 1969Edited and with text by Robert Overby.
Beginning in 1969, Robert Overby (1935-1993) produced an eclectic body of work that was rarely exhibited in his lifetime. Despite working in a diversity of media and an equally wide range of subject matter, Overby returned consistently to the human form. His polyurethane stretches and ghost-like latex casts of walls and doors belong to the history of late 1960s and early 1970s experiments in Anti-Form, Process art, and post-Minimalism. His 1980s image paintings are post-Pop combinations of figure and abstraction that explore similar issues of surface, decay and the skin between the real and its incorporeal other. Overby had a retrospective at the UCLA Hammer Museum, and his work has been collected by the Art Institute of Chicago; Whitney Museum of American Art; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Los Angeles County Museum; and The Museum of Modern Art, New York. This book is a reprint of his first publication, 336 to 1 August 1973-July 1969, which he conceived, edited and designed himself. Published with the Estate of Robert Overby.
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| | | |  | JRP|RINGIERISBN: 9783037643303
USD $29.95 | CAN $39.95Pub Date: 9/30/2013
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FORMAT: Pbk, 4.5 x 6.25 in. / 320 pgs / 213 color / 107 b&w.
LIST PRICE: U.S. $29.95
LIST PRICE: CANADA $39.95
ISBN: 9783037643303
PUBLISHER: JRP|Ringier
AVAILABLE: 9/30/2013
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| Robert Overby: 336 to 1 August 1973-July 1969 Published by JRP|Ringier.
Edited and with text by Robert Overby. Beginning in 1969, Robert Overby (1935-1993) produced an eclectic body of work that was rarely exhibited in his lifetime. Despite working in a diversity of media and an equally wide range of subject matter, Overby returned consistently to the human form. His polyurethane stretches and ghost-like latex casts of walls and doors belong to the history of late 1960s and early 1970s experiments in Anti-Form, Process art, and post-Minimalism. His 1980s image paintings are post-Pop combinations of figure and abstraction that explore similar issues of surface, decay and the skin between the real and its incorporeal other. Overby had a retrospective at the UCLA Hammer Museum, and his work has been collected by the Art Institute of Chicago; Whitney Museum of American Art; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Los Angeles County Museum; and The Museum of Modern Art, New York. This book is a reprint of his first publication, 336 to 1 August 1973-July 1969, which he conceived, edited and designed himself. Published with the Estate of Robert Overby.
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