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| | | | Ann Mandelbaum: MatterText by Heloise Conesa, Ulrich Pohlmann.
Sumptuous photograms and more investigating the formal properties of the natural worldThis fourth monograph on the New York– and Costa Rica–based photographer, sculptor and video artist Ann Mandelbaum (born 1945) presents both analog black-and-white work from 1990 to 2000 and also digital color images from 2007 to the present. None of the 100 works published here have been exhibited or published previously.
The 35-year span of the volume reveals Mandelbaum’s consistent obsession with the organic world, processed at first through the depths of the darkroom and subsequently on the digital screen. Her techniques draw on the history of photographic innovation, including the photogram and multiple printing. Throughout, Surrealist photographic vocabularies deploying sculpture, collage and the language of drawing can be detected.
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| | | |  | HATJE CANTZISBN: 9783775753241
USD $70.00 | CAN $97Pub Date: 1/24/2023
Active | In stock
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FORMAT: Hbk, 12 x 9.5 in. / 176 pgs / 90 color.
LIST PRICE: U.S. $70.00
LIST PRICE: CANADA $97
ISBN: 9783775753241
PUBLISHER: Hatje Cantz
AVAILABLE: 1/24/2023
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2023 Page 23 | PRESS INQUIRIES
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| Ann Mandelbaum: Matter Published by Hatje Cantz.
Text by Heloise Conesa, Ulrich Pohlmann. Sumptuous photograms and more investigating the formal properties of the natural world This fourth monograph on the New York– and Costa Rica–based photographer, sculptor and video artist Ann Mandelbaum (born 1945) presents both analog black-and-white work from 1990 to 2000 and also digital color images from 2007 to the present. None of the 100 works published here have been exhibited or published previously.
The 35-year span of the volume reveals Mandelbaum’s consistent obsession with the organic world, processed at first through the depths of the darkroom and subsequently on the digital screen. Her techniques draw on the history of photographic innovation, including the photogram and multiple printing. Throughout, Surrealist photographic vocabularies deploying sculpture, collage and the language of drawing can be detected.
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