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| | | | Zoe Leonard: Available LightEdited by Karen Kelly, Barbara Schroeder. Text by Diedrich Diederichsen, Suzanne Hudson, Glenn Ligon, Eileen Myles.
 An exploration of the nature of visibility through a series of camera obscuras paired with silver gelatin prints of the sunIn the two related bodies of work that form this volume’s centerpiece, New York–based photographer Zoe Leonard (born 1961) poses fundamental questions about the medium of photography and the nature of sight. In a series of large-scale installations, the artist employed the principle of the camera obscura, pairing it with gelatin silver photographs of the sun. The image in Leonard’s room-size camera obscuras is immersive and continuous, shifting constantly in response to the fleeting light of the outside world and unraveling in the surrounding space to come into its full vibrancy.
Leonard’s camera obscuras have been sited in cities in Europe and the United States, from Venice and London to New York and Marfa. This title explores this body of work through photographs that document these installations in five international cities.
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| | | |  | DANCING FOXES PRESS/RIDINGHOUSEISBN: 9781954947047
USD $34.00 | CAN $47 UK £ 30Pub Date: 12/20/2022
Active | In stock
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|  | HATJE CANTZ/MUDAM LUXEMBOURGISBN: 9783775748780
USD $95.00 | CAN $130Pub Date: 6/7/2022
Active | Out of stock
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FORMAT: Hbk, 9.25 x 11.25 in. / 168 pgs / 115 color.
LIST PRICE: U.S. $34.00
LIST PRICE: CANADA $47
GBP £30.00
ISBN: 9781954947047
PUBLISHER: Dancing Foxes Press/Ridinghouse
AVAILABLE: 12/20/2022
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Zoe Leonard: Available Light Published by Dancing Foxes Press/Ridinghouse.
Edited by Karen Kelly, Barbara Schroeder. Text by Diedrich Diederichsen, Suzanne Hudson, Glenn Ligon, Eileen Myles. An exploration of the nature of visibility through a series of camera obscuras paired with silver gelatin prints of the sun In the two related bodies of work that form this volume’s centerpiece, New York–based photographer Zoe Leonard (born 1961) poses fundamental questions about the medium of photography and the nature of sight. In a series of large-scale installations, the artist employed the principle of the camera obscura, pairing it with gelatin silver photographs of the sun. The image in Leonard’s room-size camera obscuras is immersive and continuous, shifting constantly in response to the fleeting light of the outside world and unraveling in the surrounding space to come into its full vibrancy.
Leonard’s camera obscuras have been sited in cities in Europe and the United States, from Venice and London to New York and Marfa. This title explores this body of work through photographs that document these installations in five international cities.
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