Text by Susan Leigh Foster, Deborah Hay, Kirsi Monni, Laurent Pichaud.
The first book on Deborah Hays, founding member of Judson Dance and a key innovator of postmodern dance in America
Offering fresh perspective on performances and dances made over the last 50 years, this substantial volume looks at the illustrious career of Brooklyn-born choreographer Deborah Hay (born 1941), a founding member of the Judson Dance Theater and a pioneering experimental choreographer in the tradition of Merce Cunningham, Yvonne Rainer and Trisha Brown.
After a stint in the Cunningham Dance Company, Hay collaborated with Bell Labs; authored Moving through the Universe in Bare Feet, the first of several books on movement and dance; and in the 1990s increasingly pursued solo performances.
Bringing together unpublished scores, photographs and drawings of Hay's work along with scholarly reflections and comments by Hay herself, RE-Perspective invites the reader into an ongoing process of reconsidering and reimagining what dance can be and what the body can do.
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FORMAT: Hbk, 8 x 10.25 in. / 184 pgs / 70 color. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $75 ISBN: 9783775746304 PUBLISHER: Hatje Cantz AVAILABLE: 10/22/2019 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA
Deborah Hay: RE-Perspective Works from 1968 to the Present
Published by Hatje Cantz. Text by Susan Leigh Foster, Deborah Hay, Kirsi Monni, Laurent Pichaud.
The first book on Deborah Hays, founding member of Judson Dance and a key innovator of postmodern dance in America
Offering fresh perspective on performances and dances made over the last 50 years, this substantial volume looks at the illustrious career of Brooklyn-born choreographer Deborah Hay (born 1941), a founding member of the Judson Dance Theater and a pioneering experimental choreographer in the tradition of Merce Cunningham, Yvonne Rainer and Trisha Brown.
After a stint in the Cunningham Dance Company, Hay collaborated with Bell Labs; authored Moving through the Universe in Bare Feet, the first of several books on movement and dance; and in the 1990s increasingly pursued solo performances.
Bringing together unpublished scores, photographs and drawings of Hay's work along with scholarly reflections and comments by Hay herself, RE-Perspective invites the reader into an ongoing process of reconsidering and reimagining what dance can be and what the body can do.
