Text by Xandra Eden, Gregory Volk. Foreword by Nancy Doll.
Syrian-born, but raised in the U.S., Diana Al-Hadid (born 1981) is known for her gravity-defying works built from layers of gypsum, steel, cardboard, wax and paint, that integrate references to Western European and Islamic mythology. Employing motifs such as pipe organs, labyrinths and spires, her works recall Northern Renaissance painting and Gothic cathedrals, yet appear in a deteriorated state reminiscent of ruins of long past civilizations. “Ancient ruins are culturally nostalgic objects that carry with them a distinct psychological effect,” she has observed. “[The] cross-cultural attraction to ruins is itself fascinating.” Al-Hadid’s haunting, architecturally inspired sculptures and drawings have been shown in numerous international exhibitions. By presenting her large-scale sculptures, drawings and bronzes together for the first time, this publication highlights the innovative methods through which Al-Hadid recovers influential visual histories and advances them into contemporary times.
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
Distributed by D.A.P.
FORMAT: Hbk, 8.25 x 11 in. / 80 pgs / 38 color. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $60 ISBN: 9783775735087 PUBLISHER: Hatje Cantz AVAILABLE: 7/31/2013 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA
Published by Hatje Cantz. Text by Xandra Eden, Gregory Volk. Foreword by Nancy Doll.
Syrian-born, but raised in the U.S., Diana Al-Hadid (born 1981) is known for her gravity-defying works built from layers of gypsum, steel, cardboard, wax and paint, that integrate references to Western European and Islamic mythology. Employing motifs such as pipe organs, labyrinths and spires, her works recall Northern Renaissance painting and Gothic cathedrals, yet appear in a deteriorated state reminiscent of ruins of long past civilizations. “Ancient ruins are culturally nostalgic objects that carry with them a distinct psychological effect,” she has observed. “[The] cross-cultural attraction to ruins is itself fascinating.” Al-Hadid’s haunting, architecturally inspired sculptures and drawings have been shown in numerous international exhibitions. By presenting her large-scale sculptures, drawings and bronzes together for the first time, this publication highlights the innovative methods through which Al-Hadid recovers influential visual histories and advances them into contemporary times.
