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| | | | Anton Ginzburg: At the Back of the North WindText by by Jeffrey Kastner, Boris Groys. Conversation with Boris Groys.
Anton Ginzburg: At the Back of the North Wind presents the culmination of the artist's journey in search of Hyperborea, a mythical region thought to be located "beyond the Boreas" (the north wind). Mixing artifact with mythology, and history with invention, the project's wide-ranging material includes a 45-minute film and still photographs from the forests of Oregon, to St. Petersburg and the White Sea in Russia; sculptures; topological maps; and site-specific framed works. The book's supplementary materials include installation shots of the artist's exhibition at the 2011 Venice Biennale; newly commissioned essays by Jeffrey Kastner and curator Matthew Drutt; a conversation between Boris Groys and the artist; and a process documentation section including notes, objects, photographs and other ephemera. Encapsulating the exhibition's diverse range of works within the space of a printed object, the catalogue cover and interior pages interleave full-bleed imagery of the mythical Hyperborean red cloud, in reference to the ethereal dreamscape of Ginzburg's otherworldly exploration.
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|  | HATJE CANTZISBN: 9783775734295
USD $75.00 | CAN $99Pub Date: 2/28/2013
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FORMAT: Clth, 8.25 x 11.25 in. / 200 pgs / 310 color / 30 b&w.
LIST PRICE: U.S. $75.00
LIST PRICE: CANADA $99
ISBN: 9783775734295
PUBLISHER: Hatje Cantz
AVAILABLE: 2/28/2013
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2013 Page 184 | PRESS INQUIRIES
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| Anton Ginzburg: At the Back of the North Wind Published by Hatje Cantz.
Text by by Jeffrey Kastner, Boris Groys. Conversation with Boris Groys. Anton Ginzburg: At the Back of the North Wind presents the culmination of the artist's journey in search of Hyperborea, a mythical region thought to be located "beyond the Boreas" (the north wind). Mixing artifact with mythology, and history with invention, the project's wide-ranging material includes a 45-minute film and still photographs from the forests of Oregon, to St. Petersburg and the White Sea in Russia; sculptures; topological maps; and site-specific framed works. The book's supplementary materials include installation shots of the artist's exhibition at the 2011 Venice Biennale; newly commissioned essays by Jeffrey Kastner and curator Matthew Drutt; a conversation between Boris Groys and the artist; and a process documentation section including notes, objects, photographs and other ephemera. Encapsulating the exhibition's diverse range of works within the space of a printed object, the catalogue cover and interior pages interleave full-bleed imagery of the mythical Hyperborean red cloud, in reference to the ethereal dreamscape of Ginzburg's otherworldly exploration.
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