Musolf's sculptures of inflatable Kalashnikovs and dolphin-shaped vibrators function as the symbolic props of a hedonistic, consumerist society
In the sculptural works of Berlin-based artist Iris Musolf (born 1980), sexuality and violence appear as infantilized consumer goods in the guise of dolphin-shaped vibrators and inflatable Kalashnikovs. Freedom and coercion are interwoven in a commercially driven context, presenting the symbolic props of a vacuous society obsessed with pleasure.
STATUS: Forthcoming | 10/7/2025
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Published by Kerber. Text by Andreas Bee, Birgit Möckel.
Musolf's sculptures of inflatable Kalashnikovs and dolphin-shaped vibrators function as the symbolic props of a hedonistic, consumerist society
In the sculptural works of Berlin-based artist Iris Musolf (born 1980), sexuality and violence appear as infantilized consumer goods in the guise of dolphin-shaped vibrators and inflatable Kalashnikovs. Freedom and coercion are interwoven in a commercially driven context, presenting the symbolic props of a vacuous society obsessed with pleasure.
