New Methods of Intercultural Information Design and Typography
Text by Mélissa d’Amore, Ruedi Baur, Vera Baur, Sébastien Fasel, Ulrike Felsing, Wu Jie, Fabienne Kilchör, Eva Lüdi Kong, Marco Maione, Jeannine Moser, Haytham Nawar, Nathalie Bao-Götsch, Roman Wilhelm.
In a globalized world, Asian, Latin and Arabic characters and visual cultures appear side by side and woven together. The coexistence of different visual cultures is now part of our daily lives and a given feature of our communication systems. But how do we best present information, structures and designs from different linguistic and cultural backgrounds?
Visual communication has classically been guided by principles of uniformity and simplification, values that seem unable to adequately cope with the coexistence of different systems of representation. How can we set up equitable systems for cross-cultural communication that honor the diversity of writing systems? What new design values are needed for an age of global communications?
In Visual Coexistence, graphic designer Ruedi Baur leads a research team in investigating and analyzing visual graphics from different cultures, with a focus on Chinese and Latin writing systems, in order to identify their specific principles of depiction and the ways in which they visually communicate. From this interdisciplinary, intercultural investigation, the designers recommend appropriate, differentiated design solutions for global communication. Exploring the problems and possibilities of multilingual typography and visual representation, Visual Coexistence advocates for design as a tool of global understanding.
Featured spread is reproduced from 'Visual Coexistence.'
STATUS: Forthcoming | 8/25/2020
This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
Distributed by D.A.P.
FORMAT: Pbk, 6.5 x 9.5 in. / 320 pgs / 150 color / 50 b&w. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $55 ISBN: 9783037786130 PUBLISHER: Lars Müller Publishers AVAILABLE: 8/25/2020 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Forthcoming AVAILABILITY: Awaiting stock TERRITORY: NA ONLY
Visual Coexistence New Methods of Intercultural Information Design and Typography
Published by Lars Müller Publishers. Text by Mélissa d’Amore, Ruedi Baur, Vera Baur, Sébastien Fasel, Ulrike Felsing, Wu Jie, Fabienne Kilchör, Eva Lüdi Kong, Marco Maione, Jeannine Moser, Haytham Nawar, Nathalie Bao-Götsch, Roman Wilhelm.
In a globalized world, Asian, Latin and Arabic characters and visual cultures appear side by side and woven together. The coexistence of different visual cultures is now part of our daily lives and a given feature of our communication systems. But how do we best present information, structures and designs from different linguistic and cultural backgrounds?
Visual communication has classically been guided by principles of uniformity and simplification, values that seem unable to adequately cope with the coexistence of different systems of representation. How can we set up equitable systems for cross-cultural communication that honor the diversity of writing systems? What new design values are needed for an age of global communications?
In Visual Coexistence, graphic designer Ruedi Baur leads a research team in investigating and analyzing visual graphics from different cultures, with a focus on Chinese and Latin writing systems, in order to identify their specific principles of depiction and the ways in which they visually communicate. From this interdisciplinary, intercultural investigation, the designers recommend appropriate, differentiated design solutions for global communication. Exploring the problems and possibilities of multilingual typography and visual representation, Visual Coexistence advocates for design as a tool of global understanding.
