The Light Pavilion by Lebbeus Woods and Christoph A. Kumpusch for the Liced Poro sity Block in Chengdu, China 2007-2012
Edited by Christoph A. Kumpusch.
The first built project and final creative work of artist and architect Lebbeus Woods (1940-2012), the Light Pavilion is transcendent architecture, a project that exemplifies the preoccupations of a consummate draftsman, thinker, and educator. Nestled within a mixed-use complex in Chengdu, China, this daring construction is an emancipated drawing, a light and shadow machine, a chromatic calendar, a fugue of steel, a dance of space and form. The pavilion's dynamic geometry, perspective, and sequence of spaces reframe perceptions of architecture and urbanism. Filled with drawings, detail specifications, and construction documentation, this book also features breathtaking photography by Iwan Baan; commentary by Zaha Hadid, Steven Holl, Thom Mayne, Neil Denari, and Eric Owen Moss; historical analysis by Mark Morris; and a touching epilogue by friend and project collaborator Christoph a. Kumpusch. A visionary design made intensely real, the pavilion offers a glimpse of the future as well as a catalogue of architecture's past.
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FORMAT: Hbk, 9.5 x 9.5 in. / 88 pgs / 82 images. LIST PRICE: U.S. $15.00 LIST PRICE: CANADA $21.5 ISBN: 9783037783092 PUBLISHER: Lars Müller Publishers AVAILABLE: 3/25/2013 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
The Light Pavilion by Lebbeus Woods and Christoph A. Kumpusch for the Liced Poro sity Block in Chengdu, China 2007-2012
Published by Lars Müller Publishers. Edited by Christoph A. Kumpusch.
The first built project and final creative work of artist and architect Lebbeus Woods (1940-2012), the Light Pavilion is transcendent architecture, a project that exemplifies the preoccupations of a consummate draftsman, thinker, and educator. Nestled within a mixed-use complex in Chengdu, China, this daring construction is an emancipated drawing, a light and shadow machine, a chromatic calendar, a fugue of steel, a dance of space and form. The pavilion's dynamic geometry, perspective, and sequence of spaces reframe perceptions of architecture and urbanism. Filled with drawings, detail specifications, and construction documentation, this book also features breathtaking photography by Iwan Baan; commentary by Zaha Hadid, Steven Holl, Thom Mayne, Neil Denari, and Eric Owen Moss; historical analysis by Mark Morris; and a touching epilogue by friend and project collaborator Christoph a. Kumpusch. A visionary design made intensely real, the pavilion offers a glimpse of the future as well as a catalogue of architecture's past.
