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PHOTOGRAPHY CRITICISM | THEORY

PUBLISHER
Wakefield Press

BOOK FORMAT
Paperback, 4.5 x 7 in. / 58 pgs / 19 bw.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2019 p. 33   

PRODUCT DETAILS
ISBN 9781939663474 TRADE
List Price: $14.95 CAD $19.95 GBP £12.99

AVAILABILITY
Out of stock

TERRITORY
WORLD

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WAKEFIELD PRESS

The Subversion of Images

Notes Illustrated with Nineteen Photographs by the Author

By Paul Nougé. Edited by Marcel Marien. Translated by Michael Kasper. Afterword by Xavier Canonne.

The Subversion of Images

This classic surrealist photobook pioneered the imagery of the domestic uncanny

First edited and published by Marcel Marien in 1968 in a limited edition of 230 copies, half a year after Paul Nougé’s death, The Subversion of Images is a miniature classic in both the photobook and surrealist canons. It collects Nougé’s notes and photographs from 1929–30 to form a guidebook to the surrealist image. Nougé here outlines his conception of the object and the surrealist approach to it, while also offering an accompaniment to the visual work of his colleague, René Magritte, whose paintings he sometimes titled. How might a tangle of string elicit terror? How might the suppression of an object move one to sentimentality? What is the effect of a pair of gloves on a loaf of sliced bread?

Nougé’s accompanying photographs explore these notions, and feature a number of his Belgian surrealist colleagues. This translation is presented as a facsimile of the original edition, with an afterword by Xavier Canonne, director of the Musée de la Photographie.

A biochemist by trade, Paul Nougé (1895–1967) was a leading light of Belgian surrealism and its primary theorist, as well as a decisive influence on such Lettrists and Situationists as Guy Debord and Gil J. Wolman, who would take inspiration from his conception of plagiarism for what would come to be termed “détournement.” Nougé steered the Brussels surrealist group toward a more rational approach to visual and verbal language that discarded the Parisian surrealists’ proclivity for irrationality and occultism.


Featured image is reproduced 'The Subversion of Images.'

The Subversion of Images

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