DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2018 p. 83
PRODUCT DETAILS ISBN 9781939663344TRADE List Price: $14.95 CDN $21.00 GBP £12.99
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Martin Riker of the Wall Street Journal praises the "superb new translations" from "the adventurous Wakefield Press" of the nineteenth century "writer's writer." In Imaginary Lives, Marcel Schwob—a powerful early influence on Jorge Luis Borges, who translated five of his stories—is at his best. Riker describes this volume as Schwob's "masterpiece of historical fiction." His stories of the "divine, mediocre or criminal" encompass all that interested the historical imagination of nineteenth-century France, from Lucretius to Pocahontas, written (again in Riker's words) with "impeccable narrative concision."
By Marcel Schwob. Introduction and translation by Chris Clarke.
“The art of the biographer consists specifically in choice. He is not meant to worry about speaking truth; he must create human characteristics amidst the chaos.”—Marcel Schwob
Imaginary Lives remains, over 120 years since its original publication in French, one of the secret keys to modern literature: under-recognized, yet a decisive influence on such writers as Apollinaire, Borges, Jarry and Artaud, and more contemporary authors such as Roberto Bolaño and Jean Echenoz. Drawing from historical influences such as Plutarch and Diogenes Laërtius, and authors more contemporary to him such as Thomas De Quincey and Walter Pater, Schwob established the genre of fictional biography with this collection: a form of narrative that championed the specificity of the individual over the generality of history, and the memorable detail of a vice over the forgettable banality of a virtue.
These 22 portraits present figures drawn from the margins of history, from Empedocles the “Supposed God” and Clodia the “Licentious Matron” to the pirate Captain Kidd and the Scottish murderers Messrs. Burke and Hare. In his quest for unique lives, Schwob also formulated an early conception of the anti-hero, and discarded historical figures in favor of their shadows. These “imaginary lives” thus acquaint us with the “Hateful Poet” Cecco Angiolieri instead of his lifelong rival, Dante Alighieri; the would-be romantic pirate Major Stede Bonnet instead of the infamous Blackbeard who would lead him to the gallows; the false confessor Nicolas Loyseleur rather than Joan of Arc whom he cruelly deceived; or the actor Gabriel Spenser in place of the better-remembered Ben Jonson who ran a sword through his lung.
Marcel Schwob (1867–1905) was a scholar of startling breadth and an incomparable storyteller. The secret influence on generations of writers, Schwob was as versed in the street slang of medieval thieves as he was in the poetry of Walt Whitman (whom he translated into French).
PRAISE AND REVIEWS
American Conservative
The chapters are taut and coiled with poetic energy. The characters themselves glow on the page, furiously rendered in opposition against their better-known historical counterparts.
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FORMAT: Pbk, 4.5 x 7 in. / 192 pgs. LIST PRICE: U.S. $14.95 LIST PRICE: CANADA $21 GBP £12.99 ISBN: 9781939663344 PUBLISHER: Wakefield Press AVAILABLE: 3/27/2018 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Martin Riker of the Wall Street Journal praises the "superb new translations" from "the adventurous Wakefield Press" of the nineteenth century "writer's writer." In Imaginary Lives, Marcel Schwob—a powerful early influence on Jorge Luis Borges, who translated five of his stories—is at his best. Riker describes this volume as Schwob's "masterpiece of historical fiction." His stories of the "divine, mediocre or criminal" encompass all that interested the historical imagination of nineteenth-century France, from Lucretius to Pocahontas, written (again in Riker's words) with "impeccable narrative concision."
Published by Wakefield Press. By Marcel Schwob. Introduction and translation by Chris Clarke.
“The art of the biographer consists specifically in choice. He is not meant to worry about speaking truth; he must create human characteristics amidst the chaos.”—Marcel Schwob
Imaginary Lives remains, over 120 years since its original publication in French, one of the secret keys to modern literature: under-recognized, yet a decisive influence on such writers as Apollinaire, Borges, Jarry and Artaud, and more contemporary authors such as Roberto Bolaño and Jean Echenoz. Drawing from historical influences such as Plutarch and Diogenes Laërtius, and authors more contemporary to him such as Thomas De Quincey and Walter Pater, Schwob established the genre of fictional biography with this collection: a form of narrative that championed the specificity of the individual over the generality of history, and the memorable detail of a vice over the forgettable banality of a virtue.
These 22 portraits present figures drawn from the margins of history, from Empedocles the “Supposed God” and Clodia the “Licentious Matron” to the pirate Captain Kidd and the Scottish murderers Messrs. Burke and Hare. In his quest for unique lives, Schwob also formulated an early conception of the anti-hero, and discarded historical figures in favor of their shadows. These “imaginary lives” thus acquaint us with the “Hateful Poet” Cecco Angiolieri instead of his lifelong rival, Dante Alighieri; the would-be romantic pirate Major Stede Bonnet instead of the infamous Blackbeard who would lead him to the gallows; the false confessor Nicolas Loyseleur rather than Joan of Arc whom he cruelly deceived; or the actor Gabriel Spenser in place of the better-remembered Ben Jonson who ran a sword through his lung.
Marcel Schwob (1867–1905) was a scholar of startling breadth and an incomparable storyteller. The secret influence on generations of writers, Schwob was as versed in the street slang of medieval thieves as he was in the poetry of Walt Whitman (whom he translated into French).
