Foreword by Ralph Rugoff. Introduction by Rachel Thomas. Essays by Chris Kraus, Marina Warner. Interview by Gilly Fox. Chronology by Katie Guggenheim.
Five decades of work from the subversive feminist artist known for her photomontages exploring the body and representations of femininity
British artist Linder Sterling (born 1954) first emerged in the late 1970s as a prominent figure within the dynamic landscapes of punk and post-punk music, and later went on to become an internationally recognized artist renowned for her multifaceted practice. Throughout her career, Linder has used photomontage as a potent instrument for dissecting and reshaping the portrayal and commercialization of gender norms and sexual identity. Drawing from source materials extracted from magazines of the late 20th century, she exposes the weighty stereotypes imposed on both ends of the gender spectrum: automobiles, DIY culture and pornography for men; fashion and domesticity for women. In addition to using found images from magazines, Linder has also used photographs of herself taking on various feminine personae, which navigate concepts of personal invention and the performative dimensions of identity. Her art is informed by a rich tapestry of influences spanning religious art, surrealism, mysticism and the ever-evolving landscape of social media. With an introduction by Rachel Thomas, new essays by Chris Kraus and Marina Warner, a new interview with Gilly Fox and a chronology by Katie Guggenheim, this book is the comprehensive guide to Linder’s world and work.
"Oh Grateful Colours, Bright Looks I" (2009) is reproduced from 'Linder: Danger Came Smiling.'
PRAISE AND REVIEWS
Dazed
Lydia Figes
The Hayward Gallery retrospective foregrounds Linder’s relentless experimentation and radical contributions to visual art over the past half a century.
Wallpaper*
Hannah Silver
There’s a warmth in Linder’s work, seen not only in the recontextualisation of occasionally alarming imagery and in her celebration of women’s bodies and queer bodies but also in her elevation of the mundane objects which make up a life.
The Guardian
Hettie Judah
This is work of tremendous restraint. The results are frequently brutal.
Hyperallergic
Anna Souter
'Linder: Danger Came Smiling' offers a punchy and thorough overview of Linder’s oeuvre, navigating the ways in which the artist has shifted mercurially between categories, from the fine art scene to documentary photography to the wild underworld of punk music and beyond.
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FORMAT: Hbk, 7.75 x 10.5 in. / 208 pgs / 150 color / 25 b&w. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $75 ISBN: 9781853323812 PUBLISHER: Hayward Gallery Publishing AVAILABLE: 7/29/2025 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ME
Published by Hayward Gallery Publishing. Foreword by Ralph Rugoff. Introduction by Rachel Thomas. Essays by Chris Kraus, Marina Warner. Interview by Gilly Fox. Chronology by Katie Guggenheim.
Five decades of work from the subversive feminist artist known for her photomontages exploring the body and representations of femininity
British artist Linder Sterling (born 1954) first emerged in the late 1970s as a prominent figure within the dynamic landscapes of punk and post-punk music, and later went on to become an internationally recognized artist renowned for her multifaceted practice. Throughout her career, Linder has used photomontage as a potent instrument for dissecting and reshaping the portrayal and commercialization of gender norms and sexual identity. Drawing from source materials extracted from magazines of the late 20th century, she exposes the weighty stereotypes imposed on both ends of the gender spectrum: automobiles, DIY culture and pornography for men; fashion and domesticity for women. In addition to using found images from magazines, Linder has also used photographs of herself taking on various feminine personae, which navigate concepts of personal invention and the performative dimensions of identity. Her art is informed by a rich tapestry of influences spanning religious art, surrealism, mysticism and the ever-evolving landscape of social media.
With an introduction by Rachel Thomas, new essays by Chris Kraus and Marina Warner, a new interview with Gilly Fox and a chronology by Katie Guggenheim, this book is the comprehensive guide to Linder’s world and work.
