The Complete Commercial Artist: Making Modern Design in Japan, 1928–1930
Edited with text by Gennifer Weisenfeld.
A revelatory, beautifully produced compendium of the influential Japanese commercial design journal, with posters, billboards, shop window displays and more
From 1928 to 1930, Tokyo publisher Ars issued The Complete Commercial Artist: a fully illustrated journal of commercial design for both commercial retail spaces and print design. Featuring countless original designs, its 24 volumes were dedicated to topics ranging from posters, packaging, flyers, page layout and typography to neon signage, billboards and shop window displays. Under the guidance of lead editor and writer Hamada Masuji, a passionate advocate for commercial design, the publication became the most important—and visually dazzling—document of Japanese design in its time. This generous volume from Letterform Archive Books shares hundreds of exuberant and whimsical pages from all 24 volumes of the now-rare publication. An extensive historical essay and volume-by-volume walk-throughs by art historian Gennifer Weisenfeld introduce readers to the magazine's creators and offer analyses of their use of illustration, photography, typography and lettering, highlighting both Japanese and European influences as new forms of media sparked a global dialogue. Presented for the first time to an English audience, The Complete Commercial Artist: Making Modern Design in Japan 1928–1930 takes readers on an eye-opening tour of interwar Japan's vibrant visual culture.
PRAISE AND REVIEWS
PRINT
Steven Heller
The holy grail of graphic design artifacts representing the art deco, or Moderne, period.... When comparing this new version to the original, the printing is so precise it’s impossible to tell which is which.... An informative introductory essay by Gennifer Weisenfeld both explains the role of the commercial artist in Japanese culture and contextualizes graphic style in the critical post-World War I Europe era.... A must for every design library.
typeroom
This is a priceless treasure of imagery, visual stimuli and inspiration.
Creative Review
Sophie Tolhurst
An encyclopedic view of the period. The book frames 'The Complete Commercial Artist''s function as not just a document, but an argument for designs' future... reintroducing an underappreciated moment in global design history.
Inspiration Grid
Far more than a simple reprint, the book is a fascinating read, delving deeply into this unique collection that has long been overlooked in the annals of design history. Through meticulous research, art historian Gennifer Weisenfeld provides a comprehensive historical overview and detailed analysis of each volume, accompanied by a plethora of beautifully reproduced full-color images....For anyone interested in the history of design, commercial art, or Japanese culture in general, Letterform Archive’s latest publication is a fantastic resource.
It's Nice That
Olivia Hingley
It’s as visually pleasing as it is informative, with displays of burgeoning modernist and avant-garde styles alongside detailed historical analysis.
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Thursday, March 7, from 6–7:30 PM, Letterform Archive Press presents The Complete Commercial Artist: Making Modern Design in Japan, 1928–1930 author Gennifer Weisenfeld in conversation with Letterform editor Chris Westcott. Weisenfeld will share art from the original volumes and explore the global exchange of ideas and practices that informed designers’ new approaches to lettering, illustration, design and display. continue to blog
The Complete Commercial Artist: Making Modern Design in Japan, 1928–1930
Published by Letterform Archive Books. Edited with text by Gennifer Weisenfeld.
A revelatory, beautifully produced compendium of the influential Japanese commercial design journal, with posters, billboards, shop window displays and more
From 1928 to 1930, Tokyo publisher Ars issued The Complete Commercial Artist: a fully illustrated journal of commercial design for both commercial retail spaces and print design. Featuring countless original designs, its 24 volumes were dedicated to topics ranging from posters, packaging, flyers, page layout and typography to neon signage, billboards and shop window displays. Under the guidance of lead editor and writer Hamada Masuji, a passionate advocate for commercial design, the publication became the most important—and visually dazzling—document of Japanese design in its time.
This generous volume from Letterform Archive Books shares hundreds of exuberant and whimsical pages from all 24 volumes of the now-rare publication. An extensive historical essay and volume-by-volume walk-throughs by art historian Gennifer Weisenfeld introduce readers to the magazine's creators and offer analyses of their use of illustration, photography, typography and lettering, highlighting both Japanese and European influences as new forms of media sparked a global dialogue.
Presented for the first time to an English audience, The Complete Commercial Artist: Making Modern Design in Japan 1928–1930 takes readers on an eye-opening tour of interwar Japan's vibrant visual culture.
